French-language cinema, whether in France, Québec, or other Francophone regions, explores cultural identity, social change, and the tension between the individual and society. French cinema is not only celebrated for its intellectual experimentation and auteur traditions, but also its success in mainstream comedy, romance, and commercial entertainment. In Québec, films often focus on questions of language, belonging, and community within a distinct cultural landscape.

Jean-Pierre Léaud in The 400 Blows (1959)

Henri Elsen, having been the victim of an assassination attempt by his brother Claude, perpetrated with the aim of appropriating both his wife and his fortune, charges his son, Kiki to avenge him

François Chaumette and Malka Ribowska in L'embrumé (1980)

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Patrick Bouchitey, Nathalie Jadot, and Malka Ribowska in L'embrumé (1980)

L'embrumé

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