Very well sung and a very good interesting production on the whole

Death in Venice is not my favourite Britten opera, partly because I am more familiar with works like Peter Grimes, Albert Herring and Turn of the Screw, but as with any Britten opera(that is if you like his music) it is worth a listen. I found this Glyndebourne production very good on the whole. Is it perfect? No, I personally found that the costumes and sets in the opening scenes could have been more imaginative, Alan Opie's Elderly Fop is like Truman Capote come back to life, and I wasn't entirely sure whether it worked. The sound quality is also a little boxy at this point, and some of the staging a little compact even on Glyndebourne's small stage. However, once Aschenbach is in Venice the production values largely improve and the sound gives more atmosphere. The orchestral playing is strong, and the conducting becomes more and more confident as the performance progresses. The staging has some interesting touches, the dancing is superb, the idea to have Tadzio not look directly as Aschenbach but look in his direction was a moving touch and Robert Tear's softer and more embarrassed exclamation of I love you was a nice change from it being the more insistent way. The performances are wonderful, Gerald Finley and Christopher Ventris would give better performances later on, Finley as Figaro and Oppenheimer and Ventris as Parsifal, but it was a pleasure to see them towards the start of their careers and seeing their potential before their rise to fame. Robert Tear gives a very involved and moving portrayal of Aschenbach, his voice not the most beautiful but nobly used. Michael Chance is a commanding Apollo and sings with a strong tone. But the production belongs to Alan Opie, who is in magisterial voice and gives each of his multiple roles a distinct personality, of note he is hilarious as the Traveller and he is the very definition of the Hotel Manager from Hell. All in all, well sung, interestingly staged and very good on the whole. The opening scenes and boxy sound are a little disappointing compared to the rest, but a vast majority of the production makes it a worthy one in regard to Britten's work. 8/10 Bethany Cox

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The music genre features stories showcasing musical performances, music-related documentaries and recordings of live concerts and music festivals.

Prince and Apollonia Kotero in Purple Rain (1984)

Get a closer look at some of Hollywood's perfect pairs.

Hollywood Power Couples

Get a closer look at some of Hollywood&#39;s perfect pairs.

"The Gentlemen" and "Slow Horses" return this fall, while the "Reacher" spin-off series "Neagley" makes its debut. See our guide of the biggest Fall TV and streaming releases.

2026 Fall TV and Streaming Watch Guide

&quot;The Gentlemen&quot; and &quot;Slow Horses&quot; return this fall, while the &quot;Reacher&quot; spin-off series &quot;Neagley&quot; makes its debut. See our guide of the biggest Fall TV and streaming releases.

Get a closer look at these actors from their many TV and streaming series roles.

Streaming Stars, Then and Now

Björn Andrésen and Dirk Bogarde in Death in Venice (1971)

Death in Venice

Photos5

Top Cast41

User reviews2

More like this

Related interests

Storyline

Did you know

Top picks

Details

Tech specs

Contribute to this page

More to explore

Recently viewed