Name: Krov za krov, smert za smert
Genre: Documentary

Russian cinema is distinguished by its epic scale, philosophical depth, and innovative visual language. It often explores history, ideology, and the human psyche, with a tradition of psychological realism and artistic experimentation. Russian cinema contributed revolutionary theories of editing and later a spiritual approach to film language. It remains known for combining formal experimentation with profound explorations of endurance and belief.

Nikolay Grinko, Aleksandr Kaydanovskiy, and Anatoliy Solonitsyn in Stalker (1979)

The documentary is a form of non-fiction storytelling that aims to present factual information, insights, and perspectives on real-world subjects, events, issues, or people. Documentaries can cover a wide range of topics, including history, science, culture, social issues, nature, biographies, and more.

Dziga Vertov in Man with a Movie Camera (1929)

Destruction of cities and villages. Victims of German bomber raids. The fighting of the Soviet Army.

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Кровь за кровь, смерть за смерть

Mikhail Kaufman, Dziga Vertov, Vladimir Stenberg, and Georgii Stenberg in The Eleventh Year (1928)

Vladimir Stenberg and Georgii Stenberg in Man with a Movie Camera (1929)

Dziga Vertov and Konstantin Grinberg in Istoriya grazhdanskoy voyny (1921)

Alexander Rodchenko in The Sixth Part of the World (1926)

Blood for Blood, Death for Death

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