Name: Tous les papas ne font pas pipi debout
Genre: Drama
Released: 1998-12-16
Duration: 1 h 30 min
Rating: 7
Cast: Natacha Lindinger, Carole Richert, Marina Vlady

A pleasant surprise. Without being a pretentious film, it fulfills the purpose of entertaining and at the same time, raise the issue of same-sex couples with children. Zoe and Dan are two women in love who live together for 10 years and have one son, Simon. A smart kid, sensitive, respectful and great swimmer, coached by Dan itself. They live in Belgium, in a place where all accept and coexist with their choice. Even the little friends of Simon. Everything works fine until it reaches a new family to the neighborhood. And with them, also come the prejudices and conflicts. Simon is in a stage of development and establish new ties, so these new comments starting to affect him. Now, for the first time, must contend with the idea of not having a father, like all the kids 'normal'. It also begins to doubt his feelings for Dan. Finally, both women face a situation that until then had only imagined. The great success of this film (besides the actors) at least for me, is that it never focuses on the lesbian relationship of these two women, but on the perception that others, including children, have about the situation. Zoe's mother, neighbors, friends of Simon. Precisely them, the friends of Simon, are an important part in the film and have a range of reactions and situations for analysis. It is normal or morally acceptable that a girl does not know her father because he left when he learned that her mother was pregnant? It is normal when a father (new neighbor) is tough with their children, teaching them to be intolerant and have prejudices as well as bad manners?. It seems that heterosexuality provides a degree of impunity. Simon falls for the daughter of the new neighbors, which subtly points to another common misconception: the gays are a bad influence and their children will inevitably be the same. The film is not an extreme drama. No low blows, flows naturally and has the right touch of comedy, particularly in the answers of some characters. It is entertaining without making us feel indifferent to what we consider ourselves normal or abnormal. It makes us love or hate certain characters. Simple, effective and, as if all that were not enough has that French touch.

French-language cinema, whether in France, Québec, or other Francophone regions, explores cultural identity, social change, and the tension between the individual and society. French cinema is not only celebrated for its intellectual experimentation and auteur traditions, but also its success in mainstream comedy, romance, and commercial entertainment. In Québec, films often focus on questions of language, belonging, and community within a distinct cultural landscape.

Jean-Pierre Léaud in The 400 Blows (1959)

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The story of Zoe and Dan, two women who love one another. They live cheerfully with Simon, their multi year old child, close to Bruges in Belgium.

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