Its better if we categorize these movies as pure fiction

It is a continuity of all the Pakistani movies which are only based on earning money by giving the illiterate and sexually frustrated mind of poor Pakistanis some scenes of slight obscenity and fictitious environment i.e. not existent in Pakistan(by the standard of Pakistani community, of course it is not as obscene as the least obscene Hollywood movie) Its a shame to see people of scholastic background like this director also tending towards the theme of making total crap( take the true meaning of crap and not a slang) just like all bollywood movies (yeah i am talking about Indian crap what they proudly called movies).

Neither in India nor Pakistan people have learned that movies can be used to educate and open up minds of the public also towards a positive approach rather then using it to earn money and pushing the people in more darkness as being done for the last few decades.

uniprez * and you will see what I can do

Urdu cinema, especially in Pakistan, is known for its poetic dialogue, musical traditions, and melodrama, often exploring romance, morality, and class. Historically, it thrived on musicals and romances that shaped national identity. In recent decades, it has undergone a revival, balancing popular appeal with more socially conscious storytelling.

Alina Khan and Ali Junejo in Joyland (2022)

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The musical genre features stories that combine music, singing, dancing, acting, and often spoken dialogue to tell a story or convey a narrative. Musicals incorporate various elements of drama, music, and choreography to create a cohesive theatrical experience that engages audiences on multiple levels.

Julie Andrews in The Sound of Music (1965)

The romance genre features the theme of romantic relationships and emotional connections between characters. These stories focus on the development of love, desire, and intimacy between protagonists, often exploring the challenges, conflicts, and triumphs that arise in their relationships.

Ingrid Bergman and Humphrey Bogart in Casablanca (1942)

Sara, a young, romantically inclined girl, comes from a well-off background and studies in a prestigious arts college. Her life couldn't get any better, but then, all is shattered when she is forced to marry her feudal cousin, Zafar.

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Meera, Humayun Saeed, and Zeeshan Sikander in Inteha (1999)

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