How sad to see a movie that obviously took a lot of suffering to get made fall flat on its face like this.  This is another one of those films made with the dumb pretension of "reinventing" colombian cinema which then revels on the flaws it's trying so hard to correct.  There's a story here, obviously, but it gets lost in the director's pretentious attempts to make a commercial, yet intellectual, "art" film.  The editing is pathetic, music-video like, and its portrayal of young colombian filmmakers is insulting: They`re seen here as a generation of arrogant, drug-addicted airheads; terrible writing, self-indulgent amateurish directing, and some of the worst performances seen by an entire cast in the entire history of Colombian cinema, kill this project, wich is no doubt, a labour of love. But then again, if the director loves his project, ¿Why the hell does he cast actors that have proven an absolute lack of talent like Juanita Acosta and Juan Carlos Vargas? Make no mistake, this is a really bad movie filled with good intentions, spoiled by the lack of confidence and honesty of its director.  Shame.

Spanish-language cinema across Spain and Latin America is united by its engagement with history, cultural identity, and social transformation. In Spain, films often balance artistic experimentation with popular genres while reflecting on memory, politics, and family. In Latin America, cinema has been deeply tied to questions of colonial legacy, resistance, and community resilience, ranging from intimate dramas to bold political allegories.

Ana Torrent in The Spirit of the Beehive (1973)

The crime genre features criminal activities, investigations, law enforcement, crimes, and the pursuit of justice. Crime stories often revolve around the planning, execution, and consequences of criminal acts, as well as the efforts to solve and prevent such acts. They explore various aspects of criminal behavior, motives, and the moral dilemmas faced by both perpetrators and those seeking to uphold the law.

James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

A group of friends have a screenplay ready for filming, and they only need financing. After trying in vain to find someone who will give money for their production, they plan to rob a bank in order to obtain the money for their picture.

Get a closer look at some of Hollywood's perfect pairs.

Hollywood Power Couples

Get a closer look at some of Hollywood&#39;s perfect pairs.

"The Gentlemen" and "Slow Horses" return this fall, while the "Reacher" spin-off series "Neagley" makes its debut. See our guide of the biggest Fall TV and streaming releases.

2026 Fall TV and Streaming Watch Guide

&quot;The Gentlemen&quot; and &quot;Slow Horses&quot; return this fall, while the &quot;Reacher&quot; spin-off series &quot;Neagley&quot; makes its debut. See our guide of the biggest Fall TV and streaming releases.

Get a closer look at these actors from their many TV and streaming series roles.

Kalibre 35

Photos

Top Cast15

User reviews2

Related interests

Storyline

Did you know

Top picks

Details

Tech specs

Contribute to this page

More to explore

Recently viewed