Balu mahendra, a man who loves silence and sceneries made another picture that sings.

The movie contain not so much bgms to be chord with, it has its own rhythm, that even exposes the breathings of the characters to be recorded in a perfect manner. A crystal writing the music is, Ilayaraja fans loved it, and it goes with our generation also.

Story wise the portrayal of the woman, makes sensational but a decent choice in her life, that gives a positive impression to us surprisingly. But the impulsive characters had their own cruel endings which as we desired to be.

There are many Hollywood directors who took a commercial story line and made it groomed with psychological aspects of various class people's views who belongs to different cultures. Like Woody allen, won several oscars just for distinguished few stories between a husband and wife and their family.

Similar to him, we can find Balu mahendra's movies in the same row. The writing touches with peculiar dialogues, even now in tamil cinema's havent made a better impact than Balu's.

Tamil audience can see that the way he potraits him self and his own life story in few of his films, just like how woody did. And for a Artist it is inevitable to make films without their personal touch. So through these films we can grab what would have happened to the director in the past.

Balu has a very vast understanding on the world and its colors, yet he wasn't cherished enough and this movie is a chance to give another go with future generations.

Tamil cinema is known for its powerful storytelling, technical finesse, and emotionally resonant narratives. Its larger-than-life stars enjoy immense popularity, often shaping public discourse and influencing cultural identity. The industry blends mass appeal with meaningful social themes, making it deeply rooted in life in Tamil Nadu.

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The family genre features stories specifically created to be suitable for a wide range of age groups within a family. Family-oriented content is designed to be enjoyed by both children and adults, often providing entertainment that is wholesome, relatable, and appropriate for all members of a family to watch or experience together.

Drew Barrymore and Pat Welsh in E.T. the Extra-Terrestrial (1982)

Marupadiyum is an emotional and psychological drama that focuses on the central female protagonist, a wife caught up in marital discord played by Revathi and her life henceforth. Revathi is married to Ravi, a movie director who has an extra marital affair with his star heroine, played by Rohini. Revathi discovers this intimacy between her husband and Rohini but is treated with indifference by her husband. Ravi moves on to get a divorce from Revathi. Revathi pleads with Ravi not to proceed with the divorce and asks Rohini to leave her husband but both disagree to do so. Arvind Swamy, a stranger, helps and befriends Revathi after she leaves her husband. Rohini faces mental anguish as she feels guilty with another woman's husband and becomes psychologically affected. Ravi ends up in dilemma between his wife and his lover. (Aravind Swamy) turns into a dependable friend and asks Revathi to marry him but Revathi has to choose her own path.[2]

Nizhalgal Ravi, Revathi, Rohini, and Arvind Swamy in Marupadiyam (1993)

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Marupadiyam

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