I'm at a loss for words when it comes to this short film, which I watched today because I was at a loss for time. Essentially, I was too busy to watch anything longer. No, I don't care that "at a loss for time" isn't really a saying, because it makes enough sense. It makes more sense than Love (1964).

This is about a woman who's very possessive of a man, and relentlessly pursues him and then what happens at the end I may have hallucinated. It's presented in an extremely rough-around-the-edges way that's nonetheless interesting and paints a uniquely twisted atmosphere.

It's extremely short, even for a short film, but it was such a deranged piece of animation that I think I sort of respect it, and may have even kind of enjoyed it. It's weird but kind of cool that it existed 60 years ago. It still exists now, I guess. It will always have existed. It is a strange idea and I don't know what to do with that information, and also don't know what else there is to say.

Watch it if you have a spare four minutes and want to feel confused for a little while.

Japanese cinema is celebrated for its refined minimalist dramas and avant-garde experimentation; it also introduced popular genres like jidaigeki (samurai epics), kaiju, and anime. Across both high art and mass entertainment, it often explores morality, impermanence, and the pressures of modern life.

Hidetoshi Nishijima and Tôko Miura in Drive My Car (2021)

The adult animation subgenre is aimed at mature audiences, typically consisting of content that explores complex themes, mature storytelling, and may include explicit language, violence, sexual content, or other adult-oriented elements. Unlike traditional animation that is often associated with family-friendly or children's content, adult animation caters to grown-up viewers who appreciate more sophisticated and often darker narratives.

Seth Green, Mila Kunis, Alex Borstein, and Seth MacFarlane in Family Guy (1999)

The dark comedy subgenre, also known as black comedy, combines humor with elements of tragedy, morbidity, or darker themes. Dark comedies often explore serious or taboo subjects, such as death, crime, dysfunction, and societal issues, while infusing these topics with humor to create an unusual and often thought-provoking contrast. The humor in dark comedies is typically edgy, satirical, and often unsettling, challenging traditional comedic norms.

Phoebe Waller-Bridge and Sian Clifford in Fleabag (2016)

The slapstick comedy subgenre, a term that originates from a type of wooden paddle with a hinged flap that was used in early comedic performances to create slapping noises during comedic actions, is a form of physical comedy characterized by exaggerated, boisterous, and often absurd actions, situations, and physical interactions. Slapstick humor relies on visual gags, physical stunts, and exaggerated movements to create laughs.

Leslie Nielsen in The Naked Gun: From the Files of Police Squad! (1988)

Animation is a form of visual storytelling that involves creating visual art and motion through the use of various techniques and technologies. In animation, images are manipulated to create the illusion of movement, bringing characters, objects, and environments to life. Animation can encompass a wide range of styles, themes, and intended audiences, making it a diverse and versatile form of storytelling.

Daveigh Chase, Rumi Hiiragi, and Mari Natsuki in Spirited Away (2001)

The comedy genre refers to a category of entertainment that aims to amuse and entertain audiences by using humor, wit, and comedic situations. Comedies are created with the primary intention of eliciting laughter and providing lighthearted enjoyment. They encompass a wide range of styles, tones, and themes, appealing to various tastes and audiences.

Will Ferrell, Angela Grillo, and Lap-Gei Cheung in Anchorman: The Legend of Ron Burgundy (2004)

The horror genre features stories that aim to elicit fear, suspense, and a sense of dread in its audience. Horror stories often explore themes related to the unknown, the supernatural, and the macabre, and they frequently evoke strong emotional reactions such as anxiety, terror, and unease.

The short form refers to creative works characterized by their brevity and concise storytelling. Unlike full-length feature films, short films have a running time of less than 45 minutes, while TV shorts have a running time of less than 22 minutes.

Benedict Cumberbatch in The Wonderful Story of Henry Sugar (2023)

A lovelorn woman obsessively pursues a man wherever he goes.

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