Name: Histórias Que Nossas Babás Não Contavam
Genre: Comedy
Released: 1981-01-29
Duration: 1 h 37 min
Rating: 4.9
Cast: Adele Fátima, Costinha, Meiry Vieira

The movie is a parody of Snow White and the seven dwarfs, very funny indeed. The plot is similar to the famous tale, except Snow White, in this case Clara das Neves, is the king's daughter with an African queen, who died already. The actual queen is malignant just like the original tale.

Clara das Neves is played by the stunning Adele Fatima, famous mulatto model and actress with a superb body. The queen is also very beautiful and there are many hot scenes.

This movie is a classical of the "Pornochanchada" genre. Although there is much prejudice about this genre, I like it very much. It is not pornographic, it is just an erotic comedy, without explicit sex scenes. Sometimes you get excited and sometimes you laugh, and better, sometimes you laugh while excited.

Despite many technical problems such as sound, the movie is well resolved. The plot is in its essence very funny, as the original Snow White story is subverted in an erotic tale. The virgin princess Clara Das Neves is deflowered by a bankrupt Prince who had an affair with the queen, who is Clara das Neves' stepmother. The Queen's mirror keeps telling her that her stepdaughter is prettier and younger than she.

The highlight of the movie is when the Queen calls the hunter, played by Costinha, an memorable humorist who passed away a few years ago. His scenes are so good that make you understand why he became part of the history of Brazilian comedy.

The director is also very famous and made more then 50 movies, most of them in the Genre Pornochanchada.

Grab your girl and enjoy this funny movie.

Portuguese-language cinema, spanning Portugal, Brazil, and other Lusophone regions, focuses on history, cultural identity, and the struggles of ordinary people, often framed with poetic or allegorical storytelling. In Portugal, cinema has emphasized meditative pacing and philosophical depth, reflecting on memory and tradition. In Brazil, it has often been politically charged and socially vibrant, highlighting inequality and resilience while experimenting with popular and avant-garde forms.

Alexandre Rodrigues in City of God (2002)

The parody subgenre imitates, exaggerates, and satirizes the style, themes, characters, or conventions of another work, genre, or cultural phenomenon. Parodies often involve taking well-known elements from the original source and presenting them in a humorous and exaggerated manner to create a comedic effect.

Bill Pullman, John Candy, Joan Rivers, Daphne Zuniga, and Lorene Yarnell Jansson in Spaceballs (1987)

The comedy genre refers to a category of entertainment that aims to amuse and entertain audiences by using humor, wit, and comedic situations. Comedies are created with the primary intention of eliciting laughter and providing lighthearted enjoyment. They encompass a wide range of styles, tones, and themes, appealing to various tastes and audiences.

Will Ferrell, Angela Grillo, and Lap-Gei Cheung in Anchorman: The Legend of Ron Burgundy (2004)

Histórias Que Nossas Babás Não Contavam

Erotic spoof of Snow White and the Seven Dwarfs.

Costinha, Denis Derkian, Adele Fátima, Sérgio Hingst, and Meiry Vieira in Histórias Que Nossas Babás Não Contavam (1979)

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Histórias que nosso Cinema (não) Contava

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Histórias Que Nossas Babás Não Contavam (1979)

Xandó Batista and Meiry Vieira in Histórias Que Nossas Babás Não Contavam (1979)

Dilim Costa, João Grandão, Litho, Paulinho, Quinzinho, Zequinha, and Zezinho in Histórias Que Nossas Babás Não Contavam (1979)

Denis Derkian and Adele Fátima in Histórias Que Nossas Babás Não Contavam (1979)

Adele Fátima in Histórias Que Nossas Babás Não Contavam (1979)

Dilim Costa, Adele Fátima, João Grandão, Litho, Paulinho, Quinzinho, Zequinha, and Zezinho in Histórias Que Nossas Babás Não Contavam (1979)

Costinha and Adele Fátima in Histórias Que Nossas Babás Não Contavam (1979)

Histórias Que Nossas Babás Não Contavam

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