It was the best soap opera I have ever seen. It was played every Friday at 10 PM and lasted until 11.45 by channel 13 of Argentinian TV. The number of chapters was between 30 and 35. Unlike all the other TV movies, it did not have a happy end. The actors were great, so was the story. It was the last performance of Marilina Ross before she went on exile to Spain, and before preferring to become a singer instead of an actress. It was the first important performance for Arnaldo Andre, a Paraguayan actor who still plays in some of the most important "telenovelas" in Altin America. If I had the chance, I would buy all the episodes. I would like to watch at this screenplay again, even if they are recorded in black and white and the scenes so poor! This is a piece of the history of Argentinian TV. I hope it will be soon available.

Spanish-language cinema across Spain and Latin America is united by its engagement with history, cultural identity, and social transformation. In Spain, films often balance artistic experimentation with popular genres while reflecting on memory, politics, and family. In Latin America, cinema has been deeply tied to questions of colonial legacy, resistance, and community resilience, ranging from intimate dramas to bold political allegories.

Ana Torrent in The Spirit of the Beehive (1973)

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The romance genre features the theme of romantic relationships and emotional connections between characters. These stories focus on the development of love, desire, and intimacy between protagonists, often exploring the challenges, conflicts, and triumphs that arise in their relationships.

Ingrid Bergman and Humphrey Bogart in Casablanca (1942)

Arnaldo André, Marilina Ross, and Raúl Rossi in Piel naranja (1975)

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Buenos Aires, Federal District, Argentina

Arnaldo André and Marilina Ross in Piel naranja (1975)

Piel naranja

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