Name: Tôt ou tard
Genre: Romance
Released: 2000-07-19
Duration: 1 h 40 min
Rating: 5.2
Cast: Philippe Torreton, Amira Casar, Laura del Sol

There is a prologue which shows the influence of Claude Lelouch's fortune cookie philosophies:in a hospital ,a baby's voice over tells us that he cannot choose his parents and that ,whatever fate decrees ,the die is alreaty cast :subtile ,huh?

Thus,we will follow two destinies,those of his future parents ,whose paths will cross in the last minutes of the story.

A musician (Philippe Torreton),whose marriage in Prague is on the rocks,comes back to his native France where he intends to play the cello in a quartet. A singer (Amira Casar) forms a duet with another one (laura Del Sol),and,little by little ,both women make their way to fame.

This is almost a musical ,and by and large, the songs are pleasant (particularly the "J'Ai encore Revé D'Elle "cover ),and the rapport both artists have is warm .All the songs are in French ,(except for one in Spanish )much to the director's credit ,when her colleagues use plenty of English and American ones.

If the screenplay is Lelouchesque and trite, the movie is saved by the marvelous cast ,all the actors and actresses are to be praised ,mainly the wonderful Amira Casar ;Annie Duperey ,at fifty (1999) is still one of the most attractive actresses in the French cinema:too bad she was given here an unsympathetic part of a bourgeois woman who makes fun of her concierge ;and to make us nice again,for a short while ,the screenwriters use an irrelevant incongruous trick which comes at the most awkward moment (although they show the character without any make- up in a scene just before).

See it for the cast.Should appeal more to a female audience though.

French-language cinema, whether in France, Québec, or other Francophone regions, explores cultural identity, social change, and the tension between the individual and society. French cinema is not only celebrated for its intellectual experimentation and auteur traditions, but also its success in mainstream comedy, romance, and commercial entertainment. In Québec, films often focus on questions of language, belonging, and community within a distinct cultural landscape.

Jean-Pierre Léaud in The 400 Blows (1959)

The romance genre features the theme of romantic relationships and emotional connections between characters. These stories focus on the development of love, desire, and intimacy between protagonists, often exploring the challenges, conflicts, and triumphs that arise in their relationships.

Ingrid Bergman and Humphrey Bogart in Casablanca (1942)

A musician leaves his wife in Prague ,comes back to his native France and meets a singer.

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Tôt ou tard

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