After writing blockbuster Soap Opera "Café", Fernando Gaitán became one of the most respected "Novela(Soap Opera)" writers, of Colombia. But I really don´t know why he changed so much in this new project. The actors were great but the characters were weak, the story got lost several times.

The script writer failed in trying to catch the audience, because there was not a guiding line in the plot. It seemed as if he did not know where to take the story, and made wrong experiments with it, and of course, improvisation, even from a great writer, usually ends in a crash.

Spanish-language cinema across Spain and Latin America is united by its engagement with history, cultural identity, and social transformation. In Spain, films often balance artistic experimentation with popular genres while reflecting on memory, politics, and family. In Latin America, cinema has been deeply tied to questions of colonial legacy, resistance, and community resilience, ranging from intimate dramas to bold political allegories.

Ana Torrent in The Spirit of the Beehive (1973)

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The romance genre features the theme of romantic relationships and emotional connections between characters. These stories focus on the development of love, desire, and intimacy between protagonists, often exploring the challenges, conflicts, and triumphs that arise in their relationships.

Ingrid Bergman and Humphrey Bogart in Casablanca (1942)

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Jorge Enrique Abello and Ana María Orozco in Ugly Betty (1999)

Marcelo Cézan and Manuela González in Me llaman Lolita (1999)

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