Even actors have to eat something, they can be hungry beings too. And, when they are offered a bad script instead of a good one, they sometimes accept it, for money. This is one of those cases. I am referring to Bernard Blier, Gastone Moschin and Michel Serrault, all three excellent actors. One star for each, for their great roles in other movies. The others don't matter.

French-language cinema, whether in France, Québec, or other Francophone regions, explores cultural identity, social change, and the tension between the individual and society. French cinema is not only celebrated for its intellectual experimentation and auteur traditions, but also its success in mainstream comedy, romance, and commercial entertainment. In Québec, films often focus on questions of language, belonging, and community within a distinct cultural landscape.

Jean-Pierre Léaud in The 400 Blows (1959)

The adventure genre features exciting journeys, quests, or expeditions undertaken by characters who often face challenges, obstacles, and risks in pursuit of a goal. Adventures can take place in a wide range of settings, from exotic and fantastical locations to historical or even everyday environments.

The comedy genre refers to a category of entertainment that aims to amuse and entertain audiences by using humor, wit, and comedic situations. Comedies are created with the primary intention of eliciting laughter and providing lighthearted enjoyment. They encompass a wide range of styles, tones, and themes, appealing to various tastes and audiences.

Will Ferrell, Angela Grillo, and Lap-Gei Cheung in Anchorman: The Legend of Ron Burgundy (2004)

Provincials Nicolas Pappas and Léon Dubois come to Paris to exercise their talents as trigger-happy aces.

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Jean-Paul Belmondo and Alain Delon in Borsalino (1970)

Fernandel and Totò in The Law Is the Law (1958)

Du mou dans la gâchette

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