French-language cinema, whether in France, Québec, or other Francophone regions, explores cultural identity, social change, and the tension between the individual and society. French cinema is not only celebrated for its intellectual experimentation and auteur traditions, but also its success in mainstream comedy, romance, and commercial entertainment. In Québec, films often focus on questions of language, belonging, and community within a distinct cultural landscape.

Jean-Pierre Léaud in The 400 Blows (1959)

When 12 year old Alex runs away, his grandmother ask her 6 friends for help and follow the kid from Paris to Lisbon.

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Danielle Darrieux, Sophie Desmarets, Paulette Dubost, Odette Laure, Catherine Rouvel, Jackie Sardou, and Marthe Villalonga in Les mamies (1992)

Les mamies

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