François Mauriac's novels can become cinema classics:Georges Franju got close enough for honor with " Therese Desqueyroux"(recently remade); 25 years before him,Willy Rozier registered the same desire.

Considering his filmography ("56 Rue Pigalle" " Les Amants Maudits" "A Toi De Jouer Callaghan " " Le Bagnard") I expected the worst.

And I got the worst ;the screenplay is abysmal ,desultory,and I dare anyone who has not read the book to catch up with the plot:it is a jumble ,in which even seasoned actors such as Paul Bernard ,Suzy Prim and Charpin cannot play their game well.

Filmed on location in the Landes (like "Therese Desqueyroux" in the early sixties) ,but only 20% of the movie takes advantage of the landscapes;and when it does ,it's downright embarrassing:Gabriel's crime,badly directed,with actors left to their own devices,looks like a spoof on suspense movies.

It's impossible to take an interest in these characters ,the director being incapable of giving a little life to them.

French-language cinema, whether in France, Québec, or other Francophone regions, explores cultural identity, social change, and the tension between the individual and society. French cinema is not only celebrated for its intellectual experimentation and auteur traditions, but also its success in mainstream comedy, romance, and commercial entertainment. In Québec, films often focus on questions of language, belonging, and community within a distinct cultural landscape.

Jean-Pierre Léaud in The 400 Blows (1959)

The crime genre features criminal activities, investigations, law enforcement, crimes, and the pursuit of justice. Crime stories often revolve around the planning, execution, and consequences of criminal acts, as well as the efforts to solve and prevent such acts. They explore various aspects of criminal behavior, motives, and the moral dilemmas faced by both perpetrators and those seeking to uphold the law.

James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

Two brothers-in-law hate each other but, for business interests, they want their respective son and daughter to marry. The young fiancées are not in agreement, as the boy has a happy relationship with a woman, and the girl is in an isolation mood. A crime happens, and the relations amongst this sad family become even worse.

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