Gary Graver aka Robert McCallum put little thought or effort into this stupid story of women vacationing in some banana republic taken prisoner by revolutionaries. That topic is still topical over three decades later, but treated frivolously here.

Nina Hartley does her usual fine acting job standing up to Tony Montana and his co-ed group of kidnappers, and predictably the women in peril all become enamored of their captors, both male and female. Stupid ending, after an obligatory orgy scene, is p*ss-poor.

Graver was an A-list in porn, though his real career was as an indie mainstream filmmaker, shooting most of Orson Welles' latter-day projects. This cast has so many greats in it besides Hartley, including Krista Lane, Keisha and Rachel Ryan, that it is painfully obvious how the director managed to reduce them to mere standard-issue sex performers. Feature was randomly revived in 2009 for a DVD from Classic X Collection.

The crime genre features criminal activities, investigations, law enforcement, crimes, and the pursuit of justice. Crime stories often revolve around the planning, execution, and consequences of criminal acts, as well as the efforts to solve and prevent such acts. They explore various aspects of criminal behavior, motives, and the moral dilemmas faced by both perpetrators and those seeking to uphold the law.

James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The romance genre features the theme of romantic relationships and emotional connections between characters. These stories focus on the development of love, desire, and intimacy between protagonists, often exploring the challenges, conflicts, and triumphs that arise in their relationships.

Ingrid Bergman and Humphrey Bogart in Casablanca (1942)

Following a wild spree in Hawaii, three luscious coeds (Nina Hartley, Rachel Ryan and Sheena Horn) are kidnapped by leftist guerrillas on their return home to the mainland.

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