What do we have here?The king of Turkish action cinema, Cuneyt Arkin,directs a superb,bloody,sad crime/action film-one of the rarest diamonds of Turkish exploitation... He plays a fearless proffesional killer,always dressed in black, who walks around with a male company-a friend who never talks in the movie and we never hear his name! He helps our hero to the fights....We have many bloody shootings here,but the best part of the film ar the long sad poetic scenes :the two friends walk near the train lines and Cunet talks about his orphanage,about all the sad years that he was walking near the train dreaming a mysterious woman in white... One day they find a similar one,he falls in love,and we see those scenes that they walk the three together,in front a man dressed in black with a girl dressed in white by his side...and a few steps behind his friend that never talks! A sad journey into dark memories-excellent sad music here- and suddenly bloody compats,and then again sadness......... And the finale,DEATH...

Turkish cinema reflects the country's position between East and West, combining melodrama, political allegory, and contemplative realism. It often explores identity, memory, and the tension between tradition and modernity. The Yeşilçam era was prolific, while modern auteurs have gained festival prominence.

Tarık Akan and Şerif Sezer in Yol (1982)

The action genre features fast-paced, thrilling, and intense sequences of physical feats, combat, and excitement. The characters of these stories are involved in daring and often dangerous situations, requiring them to rely on their physical prowess, skills, and quick thinking to overcome challenges and adversaries.

The crime genre features criminal activities, investigations, law enforcement, crimes, and the pursuit of justice. Crime stories often revolve around the planning, execution, and consequences of criminal acts, as well as the efforts to solve and prevent such acts. They explore various aspects of criminal behavior, motives, and the moral dilemmas faced by both perpetrators and those seeking to uphold the law.

James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)

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Cüneyt Arkın and Yildirim Gencer in Kral Affetmez (1986)

Cüneyt Arkın, Yildirim Gencer, and Filiz Aker in Kral Affetmez (1986)

Kral Affetmez

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