Shirley Temple once again takes on the role of Mary Lou Rogers, co-starring with her irritating brother Sonny, who is just as contrived and unconvincing as he was in the same role in Pardon My Pups, as I imagine he is in most of the other short films that he stars in with Temple playing Mary Lou.

It seems that Sonny's childhood friend is going to be attending what is evidently a very coveted military academy, and after briefly celebrating, Sonny becomes sad, knowing that his own parents can't afford to send him to the same school, and that the news means that he'll be losing his best friend.

What follows is a film during which the two boys constantly act just an unrealistically as the Hardy Boys who, when faced with things like the sounds of ghosts in creepy mansions, are famous for uttering such things as "I don't feel obliged to remain in this house one moment longer!" There are a series of meaningless sight gags thrown into the movie as the boys set out to search for gold in the desert of California, setting off on bumpy dirt roads in an old jalopy (which I suppose may have been brand new at the time) on the sides of which are such crudely scrawled handwritten phrases as "Chickens Ride Inside, Roosters Ride Out," and "No Good on Dirt Roads."

Shirley tags along, the curious little sister who wants to go hang out with the big kids, and ends up running into a strangely well-dressed but crazy man in the desert, who struggles to get her to ask him silly questions but fails because she already knows the answer. Turns out he is a man of some level of fame who has been suffering from amnesia, brought on by a cause which is never explained.

Not that it matters, his whole presence in the movie is never explained. My theory is that they just needed a reason to have a man diving into a mirage that is really just hot sand to add to the sight gag of the kids plowing a wooden shack to the ground because they thought it was a mirage, just like the cavernous mansion that disappeared before their eyes earlier.

Of the few of Shirley Temple's early short films that I've seen, I've found that the ones in which she plays Mary Lou, co-starring with Frank Coghlan Jr. as Sonny, are by far the least entertaining and amusing, and this one is no exception. Temple is just as charmingly adorable as she always is, but with that level of instant adoration, they could certainly do better than this. I think her cuteness worked against her in some ways, because she's been in many films which have little else to offer.

The comedy genre refers to a category of entertainment that aims to amuse and entertain audiences by using humor, wit, and comedic situations. Comedies are created with the primary intention of eliciting laughter and providing lighthearted enjoyment. They encompass a wide range of styles, tones, and themes, appealing to various tastes and audiences.

Will Ferrell, Angela Grillo, and Lap-Gei Cheung in Anchorman: The Legend of Ron Burgundy (2004)

The short form refers to creative works characterized by their brevity and concise storytelling. Unlike full-length feature films, short films have a running time of less than 45 minutes, while TV shorts have a running time of less than 22 minutes.

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Young Mary Lou tries to help her brother Sonny raise money so that he can attend a military academy.

Shirley Temple and Frank Coghlan Jr. in Managed Money (1934)

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Michael Curtiz, Ricardo Cortez, Kay Francis, Warner Oland, and Lyle Talbot in Mandalay (1934)

Shirley Temple, Georgie Smith, and Eugene Butler in Glad Rags to Riches (1933)

Randolph Scott, Noah Beery, Buster Crabbe, Jack La Rue, and Esther Ralston in To the Last Man (1933)

Shirley Temple in Kid in Hollywood (1933)

Charles Farrell and Janet Gaynor in Change of Heart (1934)

Frank Coghlan Jr. and Sidney Miller in Managed Money (1934)

Shirley Temple, Helene Chadwick, Huntley Gordon, Harry Myers, and Harry Myers in Managed Money (1934)

Shirley Temple, Frank Coghlan Jr., Huntley Gordon, and Sidney Miller in Managed Money (1934)

Managed Money

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