Name: Das lockende Ziel
Genre: Musical
Released: 1930-04-19
Duration: 1 h 35 min
Rating: 6.6
Cast: Richard Tauber, Maria Elsner, Sophie Pagay

The story is supposedly inspired in part by the life of singer Richard Tauber, who here has a less masochistic role than in some of his later films, where he is often the sensitive but heavy set man heartbroken because the woman doesn't want him. The early talkie interrupts sequences for explanatory silent style captions which is a device I didn't care for because it cuts up the sound track. A Bavarian mountain village inkeeper and church singer is invited to Berlin with its bewildering impressions of big city lights though he returns at the end to sing for the wedding of a friend and his sweetheart in the village, they had been sent away from seeing him in Berlin by a mean spirited woman.

German cinema is famous for its historical depth, expressionist aesthetics, and social-political engagement. It has moved from Expressionism to political reckoning, from New German Cinema's raw realism to contemporary genre experiments. Its legacy lies in both technical innovation and deep explorations of history, morality, and philosophy.

The musical genre features stories that combine music, singing, dancing, acting, and often spoken dialogue to tell a story or convey a narrative. Musicals incorporate various elements of drama, music, and choreography to create a cohesive theatrical experience that engages audiences on multiple levels.

Julie Andrews in The Sound of Music (1965)

Toni Lechner, innkeeper at the small Tirolese village of Heiligenblut, sings in church and is happy with his mother and his girlfriend Leni. One day an impresario arrives after an auto failure and hears Toni sing, tempting him into an operatic career. Toni accepts but with time he misses his people, not knowing his jealous prima donna has kept them apart from him.

Herbert Dassel in The Alluring Goal (1930)

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Lucie Englisch and Richard Tauber in The Alluring Goal (1930)

The Alluring Goal

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