A disguised remake of "the night of the following day" (1968).Johnny Hallyday has always been a lover of the actor's studio style and it seems that he wanted to be Marlon Brando here ,complete with cap .Everything recalls the American model,even the beach and the unfortunate victim.Robert Hossein is an excellent French actor and a sometimes good director,but here,it's plagiarism.

French-language cinema, whether in France, Québec, or other Francophone regions, explores cultural identity, social change, and the tension between the individual and society. French cinema is not only celebrated for its intellectual experimentation and auteur traditions, but also its success in mainstream comedy, romance, and commercial entertainment. In Québec, films often focus on questions of language, belonging, and community within a distinct cultural landscape.

Jean-Pierre Léaud in The 400 Blows (1959)

The crime genre features criminal activities, investigations, law enforcement, crimes, and the pursuit of justice. Crime stories often revolve around the planning, execution, and consequences of criminal acts, as well as the efforts to solve and prevent such acts. They explore various aspects of criminal behavior, motives, and the moral dilemmas faced by both perpetrators and those seeking to uphold the law.

James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)

The thriller genre features suspense, tension, and excitement. These stories are known for keeping audiences on the edge of their seats and delivering intense emotional experiences by revolving around high-stakes situations, dangerous conflicts, and the constant anticipation of unexpected events.

When his partners order him to eliminate their beautiful abductee, a kidnapper begins to lose his resolve.

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Marlène Jobert and Lino Ventura in Last Known Address (1970)

Agnes Moorehead, Robert Wagner, and Hope Lange in The True Story of Jesse James (1957)

Bibi Andersson and Annie Girardot in L'amour en question (1978)

Marlon Brando and George C. Scott in The Formula (1980)

Jean Marais and Marilù Tolo in Seven Guys and a Gal (1967)

Georges Marchal in The Three Musketeers (1953)

Jacques Castelot in Point de chute (1970)

Point de chute

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