John T. Bone liked to crank out anal-sex movies and this is one of the poorer ones, thanks to a really crummy script. Its occasional attempts to be dramatic or vaguely serious are laughable and insulting.

Jerry Butler narrates and stars as a real cad: he and partner Steve Drake are bankrupt when their empire built in the '80s on creating a 900-number phone sex line has gone kaput. Because of their (now-extinct) fortune they're surrounded by beautiful women who they look down upon as mere gold-diggers, and they cruelly decide to "go out with a bang" by fooling their current girl friends and effectively "swapping", as well as f*cking each one in the ass.

Drake gets Gail Force (playing Mavis), while Butler gets Jean (Charlotte Leigh), but the movie is so sloppy that in the scene after Butler refers to "Shelly" the character name is changed to Jean; clearly things like a real script or a continuity person were not used here.

Vignette structure has rather random scenes presented, beginning with Nick East watching one of those 900 code sex ads on tv, and fantasizing having sex with the girl in the ad, played by Sharise (aka Amber Woods). Star of the movie Keisha looks mighty fine in a flashback scene at Drake's cottage, and delivers a sensual blow job.

Drake supposedly puts that cottage up for sale, cuing a scene of ultra-busty Chessie Moore and Saki St. Jermaine having lesbian sex on a stairway.

After the anal sex action, Butler confesses to the girlfriends that they lied and both he and Drake are bankrupt, which results in a dramatic confrontation with Force, ending the movie on a downbeat note. It's as fake as Butler's water buffalo squeals of passion when he delivers a cum shot.

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

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