This is quite a poignant half hour drama following an Israeli under-cover soldier on patrol who encounters a young man who panics and tries to run away. "Eli" (Moshe Ivgy) handcuffs the terrified kid (Akab Abed El-Hai) to him and off they set to try and get to the police station. Perhaps it's the fact that he is wielding a machine gun that puts folk off, but nobody in this wet and bustling Tel Aviv wants to stop to help, so they commandeer a motor bike and sidecar that thanks to their security arrangements is more dangerous than it's worth as they drive round in circles an attract the attention of the police! It's this whirlwind ride that begins to break the ice between the two men, so they head to the boy's home - well, more of an underpass where the homeless congregate to huddle around anything that will burn. Oddly enough, they don't welcome the pair either - and so they set about finding an ingenious way to get shot of their bonds and get out of the relentless rain. By morning, their own personal dynamic has changed profoundly, but when they separate it becomes clear that these two men are very much in a minority - with tragic effects. There's not a great deal of dialogue, here. Auteur Gur Heller allows the dark city-scape and the audio to do much of the heavy lifting as we watch two people come to terms with the fact that both have acted on the basis of ingrained instinct, and that one's exposure to the other reveals substantial flaws in those age-adhered to doctrines. It's impossible to imbue anyone with much depth in thirty minutes and the denouement isn't really that convincing, but there is food for thought here that challenges prejudice, dogma and ignorance and simplistic as it may be, it's still worth a look.

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The short form refers to creative works characterized by their brevity and concise storytelling. Unlike full-length feature films, short films have a running time of less than 45 minutes, while TV shorts have a running time of less than 22 minutes.

Benedict Cumberbatch in The Wonderful Story of Henry Sugar (2023)

Night Journey in Tel Aviv of an Israeli soldier and a young Palestinian with tied hands.

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Akab Abed El-Hai and Moshe Ivgy in Night Movie (1986)

Night Movie

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