Not so big and lacks bite but a decent try

Was very fond of Woody Woodpecker and his cartoons as a child. Still get much enjoyment out of them now as a young adult, even if there are more interesting in personality cartoon characters and better overall cartoons.

That is in no way knocking Woody, because many of his cartoons are a lot of fun to watch (almost all of them being in his prime era of the 1940s through to the mid-50s) and more and also still like him a lot as a character. For a 60s Woody Woodpecker cartoon, especially from the late 60s and directed with Paul J. Smith, 'The Big Bite' turned out to be better than expected. There are far better Woody Woodpecker cartoons certainly, but to have a halfway decent mid-late-60s Smith-directed Woody Woodpecker cartoon was really refreshing seeing as many at this point were less than average and mostly actually very weak.

It's not a perfect cartoon by all means. The animation is not great at all, or even good. Time and budget constraints shows in a lot of the animation, which is very rushed looking in the drawing and detail wise it's on the simplistic and careless side like many of Woody's cartoons from this period continuing through to the 60s.

Gags-wise, mostly they are funnier and better timed than most of the cartoons from this period but there is a lack of variety and a few are not as well-timed. The story is very thin and contains few surprises and the dog catcher character is pretty derivative of other similar Woody Woodpecker foils but nowhere near as interesting, funny or formidable.

However, Woody is portrayed with a lot of energy and charisma and he is not as toned down as he tended to be from the late 50s onward. With this being said, he has had much more manic energy, especially in his glory days when there was far more risk-taking, and his material is still a bit too safe. Duffy is the best character here, being amusing and adorable.

'The Big Bite' for a late 60s Smith-directed cartoon actually has some amusing if never hilarious moments and the havoc is entertaining to watch. The pace is surprisingly lively.

Further standouts are the music and the voice acting. The music is bouncy, energetic and very lushly orchestrated, not only synchronising and fitting with the action very well but enhancing it. The voice acting is typically solid.

In conclusion, not great by any stretch, with a fairly serious lack of bite, but decent considering the period and director it comes from. 6/10 Bethany Cox

Animation is a form of visual storytelling that involves creating visual art and motion through the use of various techniques and technologies. In animation, images are manipulated to create the illusion of movement, bringing characters, objects, and environments to life. Animation can encompass a wide range of styles, themes, and intended audiences, making it a diverse and versatile form of storytelling.

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The comedy genre refers to a category of entertainment that aims to amuse and entertain audiences by using humor, wit, and comedic situations. Comedies are created with the primary intention of eliciting laughter and providing lighthearted enjoyment. They encompass a wide range of styles, tones, and themes, appealing to various tastes and audiences.

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The family genre features stories specifically created to be suitable for a wide range of age groups within a family. Family-oriented content is designed to be enjoyed by both children and adults, often providing entertainment that is wholesome, relatable, and appropriate for all members of a family to watch or experience together.

Drew Barrymore and Pat Welsh in E.T. the Extra-Terrestrial (1982)

The short form refers to creative works characterized by their brevity and concise storytelling. Unlike full-length feature films, short films have a running time of less than 45 minutes, while TV shorts have a running time of less than 22 minutes.

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Woody tries to rescue his dog from a dogcatcher.

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The Big Bite

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