Very Good Historical Movie-good actors-good script

Good historical movie without being sickeningly PC. Script intelligently done and is believable.

Nice conflicts between cultures, well defined, and interesting to see education defined as "white man's culture".

Good actors in this movie, and good acting. Characters well developed and interesting. 

Strong Indian character who learns that there is a lot that is good in the white man's culture. 

Strong black characters who tout the values of the white culture and education to the Indian.

Ron Glass in a good part; one in which he plays a black educator with high moral values. 

Very good bonding between characters; you felt a lot of friendship displayed. 

Directing and casting first-rate: all in all an excellent movie.

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

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The history genre features recounting and analyzing past events, societies, cultures, and historical figures. This genre aims to provide insights into the development of civilizations, the causes and consequences of historical events, and the impact of individuals and ideas on the course of history.

The romance genre features the theme of romantic relationships and emotional connections between characters. These stories focus on the development of love, desire, and intimacy between protagonists, often exploring the challenges, conflicts, and triumphs that arise in their relationships.

Ingrid Bergman and Humphrey Bogart in Casablanca (1942)

Three Lakota Sioux men enroll in a historically black college, and their reluctance to assimilate causes friction between their black peers. Some come to embrace their similar history, while others remain bitter.

Tembi Locke and Jay Tavare in Unbowed (1999)

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