Georges and Pierre are two talented acrobats who perform successfully every evening in a traveling circus. Their partner is the pretty Anne who attracts ovations from the public. Everything would go perfectly if Georges and Pierre did not love passionately Anne. Because she shares Pierre's feelings but feels nothing for her other partner. So Georges is jealous, which makes him mean, even unsympathetic and dangerous.

Although the film is in need of restoration , it possesses considerable appeal for Jean Gabin's fans : although a great director's touch is lacking , he plays the part of a beautiful loser he would often resume in Carné's or Duvivier's works ; good support from Annabella ,once Mrs Tyrone Power ,and from Gravey.

The scenes of acrobatics without a safety net are the highlight of the movie,although Annabella' s escaping unharmed after a fainting fit on the trapeze is beyond belief .

Hats off to the goose that's good in arithmetic and sadly ends up as "plat du jour" .

French-language cinema, whether in France, Québec, or other Francophone regions, explores cultural identity, social change, and the tension between the individual and society. French cinema is not only celebrated for its intellectual experimentation and auteur traditions, but also its success in mainstream comedy, romance, and commercial entertainment. In Québec, films often focus on questions of language, belonging, and community within a distinct cultural landscape.

Jean-Pierre Léaud in The 400 Blows (1959)

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The romance genre features the theme of romantic relationships and emotional connections between characters. These stories focus on the development of love, desire, and intimacy between protagonists, often exploring the challenges, conflicts, and triumphs that arise in their relationships.

Ingrid Bergman and Humphrey Bogart in Casablanca (1942)

Two male acrobats compete for their beautiful female partner, until one of them decides to leave the circus.

Annabella, Jean Gabin, and Fernand Gravey in Variétés (1935)

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Jean Gabin and Brigitte Helm in L'étoile de Valencia (1933)

Jean Gabin in Everyone Has Their Chance (1930)

Ellen Drew, Jean Gabin, Allyn Joslyn, Peter van Eyck, and Richard Whorf in Strange Confession (1944)

Hans Albers and Annabella in Variety (1935)

Variétés

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