Toni arrives in Paris coming by train from Calabria. He enters an Italian restaurant and kills the owner who is member of the Minelli family. For no obvious reason he stays in Paris and meets an old man who is living in kind of an asylum because he murdered another Italian family many years ago. Only the mother of that family survived. The old man tells him that the Minelli family will seek revenge and try to kill him. Toni now meets the Minellis again and talks with them. He gets nervous and kills 3 more family members. He continues to talk with the old man who tells him that the killing was necessary and that Toni's family always considered Toni a bastard because he was an illegitimate child. Because of that they sent him to Paris to get rid of him. The only way to achieve reconciliation would be to kill a certain Buffo. After that his family would forgive him. Overall the story is entertaining to follow but it's the kind of story where you are not allowed to ask too many questions - like e.g. why doesn't Toni himself know anything about the bastard story. I haven't seen any real plot holes, though. I found the acting to be OK and the overall impression of the movie was mediocre. Besides the talky relationship between Toni and the old man there is some action and a little romantic subplot where a French girl falls in love with the Calabrian guy and surprisingly they talk without any language problems. The French authorities never interfere so that the murder plot can continue.

Recommended if you have some time to kill and like any of the actors.

French-language cinema, whether in France, Québec, or other Francophone regions, explores cultural identity, social change, and the tension between the individual and society. French cinema is not only celebrated for its intellectual experimentation and auteur traditions, but also its success in mainstream comedy, romance, and commercial entertainment. In Québec, films often focus on questions of language, belonging, and community within a distinct cultural landscape.

Jean-Pierre Léaud in The 400 Blows (1959)

The crime genre features criminal activities, investigations, law enforcement, crimes, and the pursuit of justice. Crime stories often revolve around the planning, execution, and consequences of criminal acts, as well as the efforts to solve and prevent such acts. They explore various aspects of criminal behavior, motives, and the moral dilemmas faced by both perpetrators and those seeking to uphold the law.

James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The romance genre features the theme of romantic relationships and emotional connections between characters. These stories focus on the development of love, desire, and intimacy between protagonists, often exploring the challenges, conflicts, and triumphs that arise in their relationships.

Ingrid Bergman and Humphrey Bogart in Casablanca (1942)

Toni is a mafioso sent from Calabria to Paris to carry out a contract for his family. He must make contact with an old family member, who is retired but still sometimes helps out when the family needs something done in France.

Béatrice Dalle, Alessandro Gassmann, and Raf Vallone in Toni (1999)

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