...just the way I like 'em.  Five minutes of unusual animation. Some may find the cartoon offensive, and I hear them loud and clear.  But this is clearly making fun of the slick, ultraviolent action movies of the 80s, with the Terminator as its main target.  I prefer this one over that other "sick classic," Lupo the Butcher.

The action epic subgenre features fast-paced action with a grand and sweeping narrative scope, often spanning across vast landscapes, historical eras, and larger-than-life characters and conflicts. Classically, an epic tells the heroic journey and deeds of a single person, or group of persons, upon which the fate of many people depends.

Charlize Theron in Mad Max: Fury Road (2015)

The adult animation subgenre is aimed at mature audiences, typically consisting of content that explores complex themes, mature storytelling, and may include explicit language, violence, sexual content, or other adult-oriented elements. Unlike traditional animation that is often associated with family-friendly or children's content, adult animation caters to grown-up viewers who appreciate more sophisticated and often darker narratives.

Seth Green, Mila Kunis, Alex Borstein, and Seth MacFarlane in Family Guy (1999)

The adventure epic subgenre features grand scope, sweeping landscapes, heroic journeys, and often historical or mythological elements. Epic adventure stories transport audiences to different worlds, eras, or fantastical realms, immersing them in narratives that encompass vast territories and significant challenges.

Peter O'Toole and Omar Sharif in Lawrence of Arabia (1962)

The B-action subgenre features lower budgets, simpler plots, and lower production values compared to bigger budget mainstream action titles. Originally used in a derogatory manner, the subgenre has evolved to describe a specific type of filmmaking with its own unique charm and appeal. The "B" designation originally referred to the second feature in a double feature presentation, with the "A" film being the main attraction. Over time, "B-movies" became associated with low-budget and less prestigious productions.

The dark comedy subgenre, also known as black comedy, combines humor with elements of tragedy, morbidity, or darker themes. Dark comedies often explore serious or taboo subjects, such as death, crime, dysfunction, and societal issues, while infusing these topics with humor to create an unusual and often thought-provoking contrast. The humor in dark comedies is typically edgy, satirical, and often unsettling, challenging traditional comedic norms.

Phoebe Waller-Bridge and Sian Clifford in Fleabag (2016)

The desert adventure subgenre features stories set in arid and often unforgiving desert landscapes. In these stories, characters embark on journeys through sandy dunes, harsh environments, and arid wastelands, facing challenges unique to desert conditions.

Brendan Fraser, John Hannah, and Rachel Weisz in The Mummy (1999)

The dystopian sci-fi subgenre features worlds characterized by extreme social, political, and environmental challenges and focuses on the negative aspects of humanity's future. In these stories, societies have deteriorated into oppressive, nightmarish, or dysfunctional states.

Clive Owen and Clare-Hope Ashitey in Children of Men (2006)

The farce subgenre features exaggerated situations, slapstick humor, mistaken identities, and chaotic, rapid-fire events. Farces are known for their absurd and over-the-top comedic elements, often involving misunderstandings, physical comedy, and improbable scenarios.

Leslie Nielsen, Robert Hays, Julie Hagerty, and Lorna Patterson in Airplane! (1980)

Hand-drawn animation, also known as traditional animation, is a technique in which each frame is created by hand. It involves the process of drawing individual images, known as frames or cels, by skilled animators and then photographing or filming them in sequence to create the illusion of motion.

Jodi Benson, Jason Marin, and Samuel E. Wright in The Little Mermaid (1989)

The monster horror subgenre features the portrayal of monstrous creatures or entities as central elements of fear and terror. In monster horror stories, the creatures themselves are often the primary sources of danger, and the plot revolves around characters' attempts to survive encounters with these terrifying beings.

The Adventures of Mutilator, Hero of the Wasteland

A man with a mechanical arm wanders through a post-apocalyptic wasteland fighting orc-like monsters and rampant injustice.

The Adventures of Mutilator, Hero of the Wasteland (1991)

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The Adventures of Mutilator, Hero of the Wasteland

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