This Orlando Rojas movie, borough us a cuban society in the 60's mixed with influence of foreign music and ideas with the new cuban "moment" ending this nice related drama of moments and situations live by lot of our parents and friends everywhere around the world. we also have the excellent musical score by Pablo Milanes - a magistral Elena Burke performing "amame como soy"; some good amateur performances of such actors as: María Isabel Díaz, Jorge Luis Alvarez, Francisco Gattorno, Thais Valdés, Rolando Tarajano. A no less talented script of Senel Paz and the own director Orlando Rojas. The movie is a masterpiece for everyone who had the chance of living in those conditions in that - or similar- moment and space. Whoever want to know a little more of the "socialist" society the values, the people, the way their mind works... just give it a chance to Una novia para David u wont regret it.

Spanish-language cinema across Spain and Latin America is united by its engagement with history, cultural identity, and social transformation. In Spain, films often balance artistic experimentation with popular genres while reflecting on memory, politics, and family. In Latin America, cinema has been deeply tied to questions of colonial legacy, resistance, and community resilience, ranging from intimate dramas to bold political allegories.

Ana Torrent in The Spirit of the Beehive (1973)

The comedy genre refers to a category of entertainment that aims to amuse and entertain audiences by using humor, wit, and comedic situations. Comedies are created with the primary intention of eliciting laughter and providing lighthearted enjoyment. They encompass a wide range of styles, tones, and themes, appealing to various tastes and audiences.

Will Ferrell, Angela Grillo, and Lap-Gei Cheung in Anchorman: The Legend of Ron Burgundy (2004)

The romance genre features the theme of romantic relationships and emotional connections between characters. These stories focus on the development of love, desire, and intimacy between protagonists, often exploring the challenges, conflicts, and triumphs that arise in their relationships.

Ingrid Bergman and Humphrey Bogart in Casablanca (1942)

A shy country boy gets caught between the peer pressure of his buddies and his love for an overweight, strong willed but likable girl.

Instituto Cubano del Arte e Industrias Cinematográficos (ICAIC)

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Una novia para David

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