The French are known for many things but with the exception of Jacques Demy, making memorable musical films is not one of them. This early 30s operetta is a rare example.It boasts eleven different tunes only three of which are repeated, unlike certain musicals which just have two or three melodies which are used over and over. Even though not actually directed by a Frenchman it benefits considerably from the amusing lyrics by the talented Jean Boyer Yes it has early Arletty but the leads Meg Lemmonier and Henri Garat are quite charming and the standout performance in my opinion is from Dranem as the philosophical chauffeur who lands up doing a kind of gay scene with Garat when the two share a meal that was meant by Garat for Lemmonier. The complications culminate in a Venetian style masked ball in a hotel where guests take off their masks to reveal their identities. So don't be put off by the sourpuss comments of the other reviewers, and try to find this one.

French-language cinema, whether in France, Québec, or other Francophone regions, explores cultural identity, social change, and the tension between the individual and society. French cinema is not only celebrated for its intellectual experimentation and auteur traditions, but also its success in mainstream comedy, romance, and commercial entertainment. In Québec, films often focus on questions of language, belonging, and community within a distinct cultural landscape.

Jean-Pierre Léaud in The 400 Blows (1959)

The musical genre features stories that combine music, singing, dancing, acting, and often spoken dialogue to tell a story or convey a narrative. Musicals incorporate various elements of drama, music, and choreography to create a cohesive theatrical experience that engages audiences on multiple levels.

Julie Andrews in The Sound of Music (1965)

The romance genre features the theme of romantic relationships and emotional connections between characters. These stories focus on the development of love, desire, and intimacy between protagonists, often exploring the challenges, conflicts, and triumphs that arise in their relationships.

Ingrid Bergman and Humphrey Bogart in Casablanca (1942)

An innocent girl is mistaken for one of the loose women at a Christmas Eve party and is pursued by a young man who doesn't know where she lives.

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