A renowned filmmaker, Jacques Baronski sees his life turned upside down by the arrival of Fred, his son, whose existence he was unaware of. The teenager, passionate about cinema, meets Roxane, a movie star and his father's partner. He falls madly in love with her.

Tony Gatlif is par excellence the French director of the outcasts ;himself a gypsy, many of his works deal with the gypsies life,his best "Korkoro" (2009)depicting the -too often forgotten- genocide of this people in WW2 .

Tom Medina, in the eponymous movie ,is par excellence the outcast : he is on parole from a reformatory ,that's all we know about him.

So it was only natural that the illegitimate son,unknown to his dad, appears in one of his works ; Fanny Ardant could have been a wonderful modern Phaedra,had she been given a good script to work with ;unfortunately ,apart from good romantic scenes (few and far between) ,notably when they fly a kite on the beach, the film is a spate of clichés, and it slowly but inexorably, becomes a big bore .The motorbike could be a transparent equivalent of the sea monster that claims Hippolytus' life : it becomes a melodramatic tear-jerker scene .Had they developed the mother's character -who appears in flashbacks - it could have justified the father/director's frames of mind .It remains a missed opportunity ,which may interest Ardant's completists ,but only them.

French-language cinema, whether in France, Québec, or other Francophone regions, explores cultural identity, social change, and the tension between the individual and society. French cinema is not only celebrated for its intellectual experimentation and auteur traditions, but also its success in mainstream comedy, romance, and commercial entertainment. In Québec, films often focus on questions of language, belonging, and community within a distinct cultural landscape.

Jean-Pierre Léaud in The 400 Blows (1959)

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The romance genre features the theme of romantic relationships and emotional connections between characters. These stories focus on the development of love, desire, and intimacy between protagonists, often exploring the challenges, conflicts, and triumphs that arise in their relationships.

Ingrid Bergman and Humphrey Bogart in Casablanca (1942)

Fanny Ardant, Rémi Martin, and Jean-Pierre Sentier in Do Not Cry My Love (1989)

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Romain Duris in Children of the Stork (1999)

Fanny Ardant, Johnny Hallyday, Guy Marchand, Juliette Rennes, and Laurent Romor in Family Council (1986)

Do Not Cry My Love

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