The Slowest 85 Min Film I Have Ever Seen.....

This film is so so slow.  However, I will say this, the last 10 mins of it ALMOST makes the film redeem itself.  I mean how can you beat a kill sequence intermeshed with a crappy version of the bluegrass song "The Orange Blossom Special".  Thats right, you cant beat that folks.  So for the first 75 mins, I give it a 0/10, for the last 10 mins, I give it a 10/10, with an average score of 5/10.

The coming-of-age subgenre features personal growth, maturation, and self-discovery of a young protagonist as they navigate the challenges and transitions of adolescence into adulthood. These stories often revolve around characters experiencing pivotal moments, gaining new insights, and learning valuable life lessons as they transition from childhood to maturity.

The dark comedy subgenre, also known as black comedy, combines humor with elements of tragedy, morbidity, or darker themes. Dark comedies often explore serious or taboo subjects, such as death, crime, dysfunction, and societal issues, while infusing these topics with humor to create an unusual and often thought-provoking contrast. The humor in dark comedies is typically edgy, satirical, and often unsettling, challenging traditional comedic norms.

Phoebe Waller-Bridge and Sian Clifford in Fleabag (2016)

The parody subgenre imitates, exaggerates, and satirizes the style, themes, characters, or conventions of another work, genre, or cultural phenomenon. Parodies often involve taking well-known elements from the original source and presenting them in a humorous and exaggerated manner to create a comedic effect.

Bill Pullman, John Candy, Joan Rivers, Daphne Zuniga, and Lorene Yarnell Jansson in Spaceballs (1987)

The teen comedy subgenre features comedy that is specifically targeted toward a teenage audience. These comedies typically revolve around the lives, experiences, and challenges of teenagers, often exploring themes related to high school, friendship, romance, identity, and the ups and downs of adolescence.

Lacey Chabert, Lindsay Lohan, Rachel McAdams, and Amanda Seyfried in Mean Girls (2004)

The teen drama subgenre features stories specifically aimed at a teenage audience. These dramas typically focus on the lives, relationships, challenges, and experiences of teenagers and young adults. They often explore themes of identity, friendship, romance, family dynamics, and personal growth, catering to the interests and concerns of their target demographic.

Molly Ringwald in The Breakfast Club (1985)

The comedy genre refers to a category of entertainment that aims to amuse and entertain audiences by using humor, wit, and comedic situations. Comedies are created with the primary intention of eliciting laughter and providing lighthearted enjoyment. They encompass a wide range of styles, tones, and themes, appealing to various tastes and audiences.

Will Ferrell, Angela Grillo, and Lap-Gei Cheung in Anchorman: The Legend of Ron Burgundy (2004)

The horror genre features stories that aim to elicit fear, suspense, and a sense of dread in its audience. Horror stories often explore themes related to the unknown, the supernatural, and the macabre, and they frequently evoke strong emotional reactions such as anxiety, terror, and unease.

Family vacationing in the mountains is terrorized by local wackos.

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Keiko Takahashi and Daijirô Tsutsumi in Door (1988)

John Clark, Hank Garrett, Lisa Loring, Wendy MacDonald, Tony Montero, Lisa Savage, and Monica Silveria in Blood Frenzy (1987)

Priscilla Alden in Criminally Insane (1975)

Melissa Moore in Sorority House Massacre II (1990)

Matt Borlenghi in The American Scream (1988)

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George 'Buck' Flower in The American Scream (1988)

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Constance Pfeifer in The American Scream (1988)

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The American Scream

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