Name: La passerelle
Genre: Drama
Released: 1988-02-24
Duration: 1 h 32 min
Rating: 5.5
Cast: Pierre Arditi, Mathilda May, Aurelle Doazan

Based on Richard Wright's "savage Holiday" in which the writer shies away from the racial problems he depicted in such works as "native son".

"La Passerelle" (the footbridge) links two apartments,both owned by a confirmed bachelor,Jean (Pierre Arditi): the other is occupied by his tenant ,a strip-teaser/dancer,Cora , who raises her child Antoine .One day,after a bath ,he is locked out ;he tries to get into his bathroom through the window,but doing so,the brat sees him stark naked,and ,scared,falls from the footbridge and falls into a coma .

Driven by guilt ,Jean conceals the circumstances of the accident;but Cora says she saw a shadow .The man ,eaten with remorse ,does his best to help Cora with her plight .

Neither the actors (Pierre Arditi is an excellent thespian though) nor their lines can convey the psychological tension ,and halfway through ,the plot fails to interest ;the screenwriters try to enliven things by telling Cora's racy past ,by showing Jean a victim of sexual taboo during his childhood,which is quite derivative for a guy of his generation.They even introduce the character of orphan Jean 's child-minder to no avail ;this nursemaid is played by old actress Jany Holt:after working with such luminaries as Gance,Duvivier,Bresson,Chenal and Lacombe who gave her her best role in "Le Pays Sans Etoiles" ,she would have deserved a happy retirement .

It's possible that the footbridge is symbolic:the boy's accident will bring two lonely people closer together .

French-language cinema, whether in France, Québec, or other Francophone regions, explores cultural identity, social change, and the tension between the individual and society. French cinema is not only celebrated for its intellectual experimentation and auteur traditions, but also its success in mainstream comedy, romance, and commercial entertainment. In Québec, films often focus on questions of language, belonging, and community within a distinct cultural landscape.

Jean-Pierre Léaud in The 400 Blows (1959)

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

Jean Nevers is a solitary middle-aged bachelor whose apartment is next to that of Cora Elbaz, an erotic dancer who lives alone with her five year old son Antoine.

Mathilda May and Pierre Arditi in La passerelle (1988)

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Mathilda May, Pierre Arditi, Aurelle Doazan, Jean-Marie Marion, and Guillaume Souchet in La passerelle (1988)

Pierre Arditi and Guillaume Souchet in La passerelle (1988)

Mathilda May and Guillaume Souchet in La passerelle (1988)

La passerelle

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