Name: ¡No, hija, no!
Genre: Comedy
Duration: 1 h 24 min
Rating: 4.3
Cast: Antonio Ozores, Ricardo Merino, Emma Ozores

Comedy of errors about the local politics of a city

The film is a full-fledged low-cost movie. It was recorded in the times of commercial decline of Ozores, during his agreement with Cascales to produce several titles for very little money for VHS renting. The film is highly recommended for the current times, since the great Mariano Ozores gives a good stake to the politicians from his critical and cynical point of view.

The film criticizes the failures of an unstable society not used to vote. I recommend that you see this movie with a good beer and some doritos so you can appreciate this gift that the great Mariano Ozores gives us in the form of quintessential ART with capital letters. The film does not show nudes, although there are two ladies in their underwear. The film itself is almost a play, and it keeps the rhythm that Ozores had in his best films. Definitely, the best characteristic is the rhythm, it's almost a play taken to the cinema.

Spanish-language cinema across Spain and Latin America is united by its engagement with history, cultural identity, and social transformation. In Spain, films often balance artistic experimentation with popular genres while reflecting on memory, politics, and family. In Latin America, cinema has been deeply tied to questions of colonial legacy, resistance, and community resilience, ranging from intimate dramas to bold political allegories.

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The comedy genre refers to a category of entertainment that aims to amuse and entertain audiences by using humor, wit, and comedic situations. Comedies are created with the primary intention of eliciting laughter and providing lighthearted enjoyment. They encompass a wide range of styles, tones, and themes, appealing to various tastes and audiences.

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Florinda Chico, Emilio Laguna, Ricardo Merino, Gracita Morales, Juanito Navarro, Antonio Ozores, and Emma Ozores in ¡No, hija, no! (1987)

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¡No, hija, no!

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