If there were a superb version of The Tempest, it would be possible to discard this production entirely. Until that time, the Bard has enough strengths to make it worth watching.

The filming on a stage set is well handled, and the traditional strips of fabric that serve as waves and other such stage devices make the bare boards seem more natural.

John Serry's music is good enough to notice and enjoy even in the midst of the play.

Efrem Zimbalist Jr. Is an enthusiastic Prospero whose performance often makes up in sincerity what he lacks in ability to read poetry. He certainly looks the part and frequently seems magical enough to be believable. He successfully projects both benevolence and hope.

J. E. Taylor is an attractive Miranda who is excellent except when she weeps.

William Hootkins as Caliban and Ron Palillo as Trinculo give effective if standard performances.

The worst acting comes from Nicholas Hammond (70s television's Spiderman). In this ostentatiously American film, Hammond is hampered by a British accent that would be more appropriate for Gilbert and Sullivan.

Exiled Prospero lives on a desolate island with his daughter, Miranda. When Prospero's usurping brother sails by the island, Prospero conjures a storm that wrecks the ship and changes all of their lives.

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Sharry Flett and Miles Potter in The Tempest (1983)

Helen Mirren and Djimon Hounsou in The Tempest (2010)

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