An excellent French comedy (of kinds) and one of the rare examples where we can be pretty certain that it will never be remade by Hollywood.

Why?  It is too surreal, too illogical, it steps on the toes of too many institutions (the police, the arts world, the church - to name just three), it is politically incorrect, it has too much sex, it has a sad ending, etc. And if one tried to touch any of these "too"s one would seriously damage the film.

French-language cinema, whether in France, Québec, or other Francophone regions, explores cultural identity, social change, and the tension between the individual and society. French cinema is not only celebrated for its intellectual experimentation and auteur traditions, but also its success in mainstream comedy, romance, and commercial entertainment. In Québec, films often focus on questions of language, belonging, and community within a distinct cultural landscape.

Jean-Pierre Léaud in The 400 Blows (1959)

The comedy genre refers to a category of entertainment that aims to amuse and entertain audiences by using humor, wit, and comedic situations. Comedies are created with the primary intention of eliciting laughter and providing lighthearted enjoyment. They encompass a wide range of styles, tones, and themes, appealing to various tastes and audiences.

Will Ferrell, Angela Grillo, and Lap-Gei Cheung in Anchorman: The Legend of Ron Burgundy (2004)

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The lives of three Parisians - a color-blind painter, a radio show host and a perverted photographer - intertwine and go hilariously out of control. A classic cult comedy from the 80's.

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Lisa Gastoni and Maurice Ronet in Seduction (1973)

John Leguizamo, Wesley Snipes, Natasha Lyonne, and Sam Jones III in Zig Zag (2002)

Catherine Deneuve and Bernadette Lafont in Zig-Zag (1975)

Zig Zag Story

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