G Aravindan always tried to define and separate spirituality from religiousness. This movie is an absolute example. He goes deep into the psyche of some great mythological characters well known to us and brings in another dimension that may have been totally unknown to us. To be aware of Aravindan master's ambition with film making is really always important before watching his movies. In a way his larger than life characters appears to be totally familiar and 'understandable' to us. And the way he has connected man and nature is not surprising but nostalgic. Worth the Award.

Malayalam cinema, based in Kerala, is known for its grounded narratives, literary screenplays, and strong character-driven storytelling.The industry is celebrated for innovatively blending realism with bold, socially conscious themes.

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The fantasy genre features imaginative and often magical worlds, characters, and events. It explores realms beyond the boundaries of reality, featuring elements such as magic, mythical creatures, supernatural powers, and fantastical settings. These stories can take place in entirely fictional worlds or blend fantastical elements with real-world settings.

Elijah Wood in The Lord of the Rings: The Fellowship of the Ring (2001)

Rama, who doubts about the chastity of Sita at last finds his own children and went for salvation.

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"The Gentlemen" and "Slow Horses" return this fall, while the "Reacher" spin-off series "Neagley" makes its debut. See our guide of the biggest Fall TV and streaming releases.

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Sreenivasan and Nedumudi Venu in Oridathu (1987)

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