it is special. for atmosphere, music by Tiberiu Olah, the mark of Malvina Urșianu universe, acting. and, for the performance of Beate Fredanov in a extraordinary role, an old lady, in original form of script from Russia, after censor intervention, from Bretagne , short reflection of story essence. her presence is touching not only for the symbolic confession but for the fact than it is first role from a short actress career of this theater teacher. the film can be a love story, a self definition in deep crisis period of a man, image of return to roots and time passing and the present as isle, too far to be peninsula of past, too short to suppose a future. at first sigh, it can be one of a direction for Romanian cinema. a form of self definition of director, exercise to avoid the propaganda pressure. a film about need of the other and truth coldness, about last way and new silhouette of Ulissses, it is one of touching demonstration of force, sensitivity and use of delicate nuances from an original director and her manner to define reality as clay for art.

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The romance genre features the theme of romantic relationships and emotional connections between characters. These stories focus on the development of love, desire, and intimacy between protagonists, often exploring the challenges, conflicts, and triumphs that arise in their relationships.

Ingrid Bergman and Humphrey Bogart in Casablanca (1942)

A man returns home after learning he has a terminal disease.

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Angela Chiuaru and Emanoil Petrut in Secretul cifrului (1960)

Dan Nutu and Irina Petrescu in Sunday at Six (1966)

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George Motoi and Gina Patrichi in Fleeting Loves (1974)

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