Name: Aramesh dar Hozur Deegaran
Genre: Drama
Duration: 1 h 26 min
Rating: 6.8
Cast: Akbar Meshkin, Soraya Ghasemi, Leila Baharan

Might be a good movie but not a likeable one

In my humble opinion as a serious movie watcher but not a critic and after watching thousands of movies ... there are some good movies and you know they are a good one but you wouldn't enjoy it a lot ... there are directors like Jean Pierre Melville who made really good movies but also interesting one , movies you would want to watch again and again .... Another example is Great Kurosawa .... Every single movies he made are beautifully artistic but also likeable or even lovable ... another one is Martin Scorsese and Stanley Kubrick and to some extent Asghar Farhadi so I'm giving the rate according how many more I want to watch the movie and also I believe this movie is a good movie I don't want to watch it again so for me this is 5/10.

Persian-language (primarily Iranian) cinema is acclaimed for poetic allegory, moral depth, and inventive ways of navigating censorship. It often uses non-professional actors, minimalism and symbolism to explore moral dilemmas, social issues, and the human condition under political constraints.

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The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

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A former army colonel comes from a village to live in the city with her daughters where he finds it hard to adapt with the modern life.

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National Iranian Radio and Television (NIRT)

Nasser Taghvai cultural and art institute

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Akbar Meshkin in Tranquility in the Presence of Others (1972)

Soraya Ghasemi in Tranquility in the Presence of Others (1972)

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Soraya Ghasemi and Akbar Meshkin in Tranquility in the Presence of Others (1972)

Tranquility in the Presence of Others

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