Whilst searching for the next slice of schlock for my B-movie collection, it's pretty much common knowledge, by now that I'm either gonna end up with something painfully bad, or if I'm lucky, something so bad it's good. But sometimes, on a one of those rare occasions, I'll unearth something unexpected. Something interesting. Dare I say something Incredible. If Stephen King got his idea for Misery from this movie, all I can say is that he sure could have done a lot worse. The Strange Vengeance Of Rosalie, at first centers on Virgil, who is passing through the New Mexico desert on his way to a Hawain vacation. Uh-oh, a hitchhiker. Unfortunately, this is the early 70's. A time when people thoughtlessly picked up hitchhikers. But really. This is a teenage girl we're talking about, here. Rosalie is a Native American, kinda hickish, like the beverly hillbillies, in the way of not knowing about stuff. But anyway, she's nice enough. Once Rosalie guilt-trips unsuspecting Virgil into hauling her miles upon miles out in her shack in the middle of the desert, she repays him by breaking his leg. The thing is, Since Rosalie's grandfather died, it's been awfully lonely around the desolate homestead, and loneliness can do strange things to one's mind. In other words, Virgil ain't going' nowhere. Other than the fact that she's half-crazy, kinda immature and perhaps a bit backwards, Rosalie is pretty easy to get along with. So, to be fair, ol' Virgil could do much worse in the way of captors. No torturing, or anything like that. Just somebody to talk to... also, maybe someone to control.Man, what a strong feeling of isolation. Poor Virgil might as well be on another planet. At least ten miles from anything. Car ain't workin', leg sure as hell ain't workin'. Reasoning with the captor is frustrating, and possibly hopeless. As the captor, Rosalie can be an unlikeable character, yet often pitiful, and occasionally endearing. As the viewer, I found myself rooting for Virgil to just give up and stay in that hell hole. This would be around the time that Rosalie shows that she's nothing but poison, perfectly willing to mame or murder, if it suits her. It just doesn't seem like it's because she's a bad person. Poor girl just don't know no better. Besides the breaking of the leg, for roughly the same reason, what this film has most in common with Misery is that constant feeling of dread, hopelessness and isolation all rolled into one. The Strange Vengeance Of Rosalie isn't quite as well-known or big budget. This film is from a different time, and is for a different audience. This film has that odd drive-in obscurity feel to it, as opposed to the early-90's made-for-TV feel of it's counterpart. I wouldn't say the character of Rosalie is anywhere as deep or complicated as that of Kathy Bates, but Rosalie is a different kind of animal. While still stubborn and set in her ways, Rosalie's needs are more primitive, if you will. All the girl wants is some company. Someone to talk to. Perhaps a husband, if it leads to that. Whatever Rosalie decides. Virgil has no say, he has a broken leg. I truly have not been this impressed with an obscurity like this in a long, long time. Most low budget films I get a hold of are of the Horror genre. Rosalie is more of a suspense-thriller. So, in closing. If you ever get tired of the same old so bad it's good, gory, schlocky grainy-screen goodness, perhaps you're in the mood for something different. Something that'll make you think. This is quality Drive-In cinema. 10/10

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

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The thriller genre features suspense, tension, and excitement. These stories are known for keeping audiences on the edge of their seats and delivering intense emotional experiences by revolving around high-stakes situations, dangerous conflicts, and the constant anticipation of unexpected events.

A traveling salesman gives a pretty female hitchhiker a ride to her home, a run-down shack in the desert. She then injures his leg in order to hold him captive.

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Bonnie Bedelia in The Strange Vengeance of Rosalie (1972)

Bonnie Bedelia and Ken Howard in The Strange Vengeance of Rosalie (1972)

Bonnie Bedelia, Anthony Zerbe, and Ken Howard in The Strange Vengeance of Rosalie (1972)

The Strange Vengeance of Rosalie

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