Former Second City director Alan Myerson decided to found his version of an improv-based sketch comedy company in San Francisco. Some of the players who played there over the years also clocked significant time with Second City, and one can see the two companies having a kind of dialogue about the possibilities of the form as well as providing a vital function of maintaining an ongoing commentary on what was going on in the country at the time.

Most of the original Second City people were well-read, college-educated folk (frequently from the University of Chicago). The Committee's people generally had greater contact with what was happening in the street. Or maybe it's just that more of the street spilled into their doors.

At any rate, this film is a collection of some of the more popular sketches at the time and it features some dazzling performances by a company, most of whom went onto bigger (though not always better) things. I run chunks of this for my students frequently and they always goes down very well indeed.

Anybody interested in the intersection between American social and political history and satire should find this pretty compelling stuff.

The satire subgenre uses humor, irony, exaggeration, and parody to critique and comment on various aspects of society, culture, politics, institutions, and human behavior. Satires aim to provoke thought, highlight absurdities, and expose hypocrisy by presenting familiar situations in a distorted or exaggerated manner. They entertain while also providing social commentary and encouraging viewers to reflect on the subjects being criticized.

Peter Sellers in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

The sketch comedy subgenre consists of a series of short, self-contained scenes or sketches, often connected by a common theme, style, or recurring characters. Each sketch typically lasts a few minutes and presents a humorous situation, scenario, or interaction that delivers a punchline, comedic twist, or funny observation.

Keegan-Michael Key and Jordan Peele in Key and Peele (2012)

The comedy genre refers to a category of entertainment that aims to amuse and entertain audiences by using humor, wit, and comedic situations. Comedies are created with the primary intention of eliciting laughter and providing lighthearted enjoyment. They encompass a wide range of styles, tones, and themes, appealing to various tastes and audiences.

Will Ferrell, Angela Grillo, and Lap-Gei Cheung in Anchorman: The Legend of Ron Burgundy (2004)

The documentary is a form of non-fiction storytelling that aims to present factual information, insights, and perspectives on real-world subjects, events, issues, or people. Documentaries can cover a wide range of topics, including history, science, culture, social issues, nature, biographies, and more.

Dziga Vertov in Man with a Movie Camera (1929)

Recording of a live performance by a sketch comedy troupe.

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"The Gentlemen" and "Slow Horses" return this fall, while the "Reacher" spin-off series "Neagley" makes its debut. See our guide of the biggest Fall TV and streaming releases.

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Mel Stewart, Peter Bonerz, Barbara Bosson, Garry Goodrow, Carl Gottlieb, Howard Hesseman, Jessica Myerson, and Christopher Ross in A Session with the Committee (1969)

A Session with the Committee

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