Reading the reviews already published one might think this is a film not unlike what Hitchcock used to direct. Sometimes you wonder what people see when they watch a movie. Besides the fact that Gobbi is a very bad director, juts hinting that he might be compared to Hitchcock is just a joke.

Poorly directed, poorly acted ( whis is surprising coming from some generally good actors) there is nothing to be saved in this ridiculous imitation of a film.

French-language cinema, whether in France, Québec, or other Francophone regions, explores cultural identity, social change, and the tension between the individual and society. French cinema is not only celebrated for its intellectual experimentation and auteur traditions, but also its success in mainstream comedy, romance, and commercial entertainment. In Québec, films often focus on questions of language, belonging, and community within a distinct cultural landscape.

Jean-Pierre Léaud in The 400 Blows (1959)

The mystery genre features the investigation and solving of a puzzle, typically a crime or an enigmatic event. Mysteries are known for their suspenseful narratives, intricate plots, and the challenge they present to readers or viewers to piece together clues and solve the central mystery alongside the characters.

Jack Nicholson, Faye Dunaway, and Kelvin Harrison Jr. in Chinatown (1974)

The thriller genre features suspense, tension, and excitement. These stories are known for keeping audiences on the edge of their seats and delivering intense emotional experiences by revolving around high-stakes situations, dangerous conflicts, and the constant anticipation of unexpected events.

A penniless pianist is being offered a strange but lucrative contract he can't refuse.

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Mourir à Ibiza (Un film en trois étés)

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Robert Hossein and Elsa Martinelli in Maldonne (1969)

Maldonne

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