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Richard Burton and Elizabeth Taylor in Who's Afraid of Virginia Woolf? (1966)

Richard Burton: George

Who's Afraid of Virginia Woolf?

Richard Burton credited as playing...

George

Photos68

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Quotes41

  • [Martha has changed into an embarrassingly tight and revealing outfit]
  • George: Why Martha! Your Sunday chapel dress!
  • George: Martha, will you show her where we keep the, uh, euphemism?
  • George: You can sit around with the gin running out of your mouth; you can humiliate me; you can tear me to pieces all night, that's perfectly okay, that's all right.
  • Martha: You can stand it!
  • George: I cannot stand it!
  • Martha: You can stand it, you married me for it!
  • Honey: They dance like they've danced before.
  • George: It's a familiar dance, monkey nipples, they both know it.
  • Nick: Who did the painting?
  • George: Some Greek with a mustache Martha attacked one night.
  • Nick: It's got a...
  • George: Quiet intensity?
  • Nick: Well, no, a...
  • George: Well then, a certain noisy relaxed quality maybe?
  • Nick: No, what I meant was...
  • George: How about a quietly noisy relaxed intensity?
  • [George takes a corner far too fast, tossing everyone in the car from side to side. Pause]
  • Martha: Aren't you going to apologize?
  • George: Not my fault, the road should've been straight.
  • Martha: No, aren't you going to apologize for making Honey throw up?
  • George: I didn't make her throw up.
  • Martha: What, you think it was sexy back there? You think he made his own wife sick?
  • George: Well, you make me sick.
  • Martha: That's different.
  • George: Martha is 108... years old. She weighs somewhat more than that.
  • Nick: Who did the painting?
  • George: Some Greek with a moustache that Martha attacked one night.
  • Martha: I looked at you tonight and you weren't there... And I'm gonna howl it out, and I'm not gonna give a damn what I do and I'm gonna make the biggest god-damn explosion you've ever heard.
  • George: Try and I'll beat you at your own game.
  • Martha: Is that a threat George, huh?
  • George: It's a threat, Martha.
  • Martha: You're gonna get it, baby.
  • George: Be careful Martha. I'll rip you to pieces.
  • Martha: You're not man enough. You haven't the guts.
  • George: Total war.
  • Martha: Total.
  • Martha: [derogatorily, to George] Hey, swamp! Hey swampy!
  • George: Yes, Martha? Can I get you something?
  • Martha: Ah, well, sure. You can, um, light my cigarette, if you're of a mind to.
  • George: No. There are limits. I mean, a man can put up with only so much without he descends a rung or two on the old evolutionary ladder, which is up your line. Now, I will hold your hand when it's dark and you're afraid of the boogeyman and I will tote your gin bottles out after midnight so no one can see but I will not light your cigarette. And that, as they say, is that.
  • Martha: Jesus.
  • George: [to Honey] Hi, sexy. You wanna dance, angel boobs?
  • Nick: What'd you call my wife?
  • Nick: May I use the... uh... bar?
  • George: Oh, yes... yes... by all means. Drink away... you'll need it as the years go on.
  • Martha: You make me puke.
  • George: That wasn't a very nice thing to say, Martha.
  • George: Now, I think we've been having a real good evening, all things considered. We sat around, we've got to know each other, and we've had fun and games. Curl Up on the Floor, for example. The tiles. Snap the Dragon.
  • Honey: Peel the Label!
  • George: Peel... Peel the What?
  • Martha: Label. Peel the Label.
  • Martha: [holds up a wine bottle] I peel labels.
  • George: [with double meaning] We *all* peel labels, sweetie.
  • Honey: Oh, I don't know, a little brandy maybe. "Never mix, never worry!"
  • George: Martha? Rubbing alcohol for you?
  • Martha: Sure! "Never mix, never worry!"
  • George: You take the trouble to construct a civilization, to build a society based on the principles of... of principle. You make government and art and realize that they are, must be, both the same. You bring things to the saddest of all points, to the point where there is something to lose. Then, all at once, through all the music, through all the sensible sounds of men building, attempting, comes the Dies Irae. And what is it? What does the trumpet sound? Up yours.
  • Martha: Hey!
  • George: Hark! Jungle sounds.
  • Martha: Hey!
  • George: Animal noises.
  • George: Good, better, best, bested. How do you like that for a declension, young man?
  • George: And please keep your clothes on, too. There aren't many more sickening sights in this world than you with a few drinks in you and your skirt up over your head. Or "your heads", I should say.
  • George: You're a monster - You are.
  • Martha: I'm loud and I'm vulgar, and I wear the pants in the house because somebody's got to, but I am not a monster. I'm not.
  • George: You're a spoiled, self-indulgent, willful, dirty-minded, liquor-ridden...
  • Martha: SNAP! It went SNAP! I'm not gonna try to get through to you any more. There was a second back there, yeah, there was a second, just a second when I could have gotten through to you, when maybe we could have cut through all this, this CRAP. But it's past, and I'm not gonna try.

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