Kazuo Hasegawa, Lord of Kiso, has defeated the Heike and raised his banner over the capital. This does not mean he has won. The Retired Emperor will not see him, and court officials are plotting an alliance with his enemies. Even as he longs to return to his beautiful mountains, his allies betray him. Only his wife, Machiko Kyô and his mistress, Fujiko Yamamoto, are truly loyal. He has a new ally; having been lied to as to her identity, he has come to know it, and has taken Princess Hideko Takamine under the guise of a court lady, to "instruct his suite in proper etiquette." To maintain the charade, her father has ordered her to maintain the disguise.

It's a sumptuous epic of 12th Century Japan, with great costuming, brilliant battles, many fires, fierce women warriors, and beautifully decorated set in lovely color. I was struck, however, by the standard composition. Many of the shots look like they would have benefited from widescreen projection.Even so, director Teinosuke Kinugasa has achieved a fine movie

I have commented elsewhere that the Japanese New Wave seems to have hated all traditional Japanese values, and insisted that only film makers who evinced the same sort of contempt were worthy of praise. Kingusa's movie tackles the empty, two-faced etiquette that hid betrayal, yet still celebrates honor, valor, and the beauty of Japan.

Japanese cinema is celebrated for its refined minimalist dramas and avant-garde experimentation; it also introduced popular genres like jidaigeki (samurai epics), kaiju, and anime. Across both high art and mass entertainment, it often explores morality, impermanence, and the pressures of modern life.

Hidetoshi Nishijima and Tôko Miura in Drive My Car (2021)

The costume drama subgenre is set in a particular historical period and emphasizes the accurate depiction of the era's clothing, customs, settings, and social norms. These productions transport audiences to the past through visual and cultural elements of a bygone time.

Mia Goth and Anya Taylor-Joy in Emma. (2020)

The period drama subgenre transports audiences to the past, immersing them in historical contexts and offering insights into the lives, relationships, and challenges of characters from different time periods.

Emma Watson, Saoirse Ronan, Florence Pugh, and Eliza Scanlen in Little Women (2019)

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The history genre features recounting and analyzing past events, societies, cultures, and historical figures. This genre aims to provide insights into the development of civilizations, the causes and consequences of historical events, and the impact of individuals and ideas on the course of history.

The romance genre features the theme of romantic relationships and emotional connections between characters. These stories focus on the development of love, desire, and intimacy between protagonists, often exploring the challenges, conflicts, and triumphs that arise in their relationships.

Ingrid Bergman and Humphrey Bogart in Casablanca (1942)

Shin, Heike monogatari: Yoshinaka o meguru sannin no onna

The story of Yoshinaka and the three women who love him.

Kazuo Hasegawa, Machiko Kyô, Hideko Takamine, and Fujiko Yamamoto in Shin, Heike monogatari: Yoshinaka o meguru sannin no onna (1956)

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Kyôko Kishida and Ayako Wakao in Swastika (1964)

Toshirō Mifune and Yûzô Kayama in Sanshiro Sugata (1965)

Yatarō Kurokawa in Shin, Heike monogatari: Yoshinaka o meguru sannin no onna (1956)

Kazuo Hasegawa and Fujiko Yamamoto in Shin, Heike monogatari: Yoshinaka o meguru sannin no onna (1956)

Machiko Kyô in Shin, Heike monogatari: Yoshinaka o meguru sannin no onna (1956)

Hideko Takamine in Shin, Heike monogatari: Yoshinaka o meguru sannin no onna (1956)

Denjirō Ōkōchi in Shin, Heike monogatari: Yoshinaka o meguru sannin no onna (1956)

Fujiko Yamamoto in Shin, Heike monogatari: Yoshinaka o meguru sannin no onna (1956)

Takashi Shimura in Shin, Heike monogatari: Yoshinaka o meguru sannin no onna (1956)

Shin, Heike monogatari: Yoshinaka o meguru sannin no onna

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