Name: Wetterleuchten am Dachstein
Genre: Drama
Released: 1953-03-20
Duration: 1 h 47 min
Rating: 5.8
Cast: Gisela Fackeldey, Eduard Köck, Marianne Koch

Melodramatic - and remarkably good in some respects ...

Dated, my TV magazine wrote. True. Nevertheless: Provided you want to make a time journey you will experience a quite reliable picture of old times. This movie is serious. It's not simply a dreamworld movie. There is astonishingly much realism in it, a lot of real and precise detail, and the reality of mixed emotions, presented with not too much sentimentality. 

Character drives the action. The main character - the imperious lady who runs the big and rich farm - is excellently ambivalent. The less ambivalent three "good" protagonists are charming in a way people might have been two or three generations ago. This difference is what I liked most in this movie. I also liked "Christl" (Marianne Koch). How different female charm was in these ancient times! All in all, it's not a masterpiece, there is too much cliché in this movie, but it might provide better entertainment for reality-addicted people than most of what is popular today.

The story: An imperious young widow, heir of a big and rich farm in the Austria mountains, alienates her lover. Finally she finds out that this young man has been right and that she has been awfully wrong in humiliating him. But now, while she finds this out, and to the surprise of both protagonists, an "unlikely" rival emerges and looks into the eyes of our hero: a poor and low, but pretty female servant works on this farm ... There are two possible ways to finish this story ...

German cinema is famous for its historical depth, expressionist aesthetics, and social-political engagement. It has moved from Expressionism to political reckoning, from New German Cinema's raw realism to contemporary genre experiments. Its legacy lies in both technical innovation and deep explorations of history, morality, and philosophy.

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

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Widow Jutta is fighting to protect her farm Salzerhof from officials who deem part of her valley treacherous ground due to old salt mines. She loves her farm hand Hannes who leaves because of her stubbornness. Then disaster strikes.

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Behelfsatelier, Hotel Wasnerin, Bad Aussee, Steiermark, Austria

Pero Alexander in Wetterleuchten am Dachstein (1953)

Pero Alexander and Eduard Köck in Wetterleuchten am Dachstein (1953)

Wetterleuchten am Dachstein

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