"The film's original music and, more broadly, its soundtrack can be heard as an overall approach to the landscape. Breaking from it with the percussion parts or, on the contrary, in symbiosis with the mineral, animal or liquid matter, it invites us to try to see with our ears. In broad daylight, immersed in the mists or night, the audience contemplates. Like the bats in the film, we try to map the environment through musical signals, like a radar. We are submerged in the musical structures that rub against each other, collide or espouse the film to create an indivisible whole."
