Marina García López
- Producer
- Additional Crew
Marina García López holds a doctorate in History of Modern and Contemporary Art from the University of Santiago de Compostela. She worked at the Bilbao Fine Arts Museum, at the Gurvich Museum in Montevideo and for the International Center for the Arts of the Americas, Houston, to later co-found the headquarters of the production company Sintagma Films in Latin America.
Her first feature film as a producer, Frágil Equilibrio (2016) by Guillermo García López, premiered at IDFA, won the Goya for Best Documentary Film. She has worked with the production company Virtual Contents in the series Atlánticas (2019), broadcast openly on RTVE and on the Orange TV platform. At the same time, she produces and manages site-specific projects, audiovisual installations and pieces such as Bit (2019) for the Venice Biennale, or La Máquina de (re)velar (2020), selected for the Film Curation course at Elías Querejeta Cinema School, San Sebastian. Together with the Video Art and Digital Creation Programme, developed with the Bilbao Fine Arts Museum and the BBVA Foundation, she has developed the latest video installation by Víctor Erice, Piedra y Cielo (2020).
She directs the Arte Como Educación Artistic Residencies program from the Soa Arte Contemporáneo gallery and together with the ACE collective. After several editions held in South America (Chile, Argentina and Uruguay), for the first time she will work in Spain for the design of the La Cañada Real Film School, in parallel to the production of the feature film Ciudad Sin Sueño.
Her first feature film as a producer, Frágil Equilibrio (2016) by Guillermo García López, premiered at IDFA, won the Goya for Best Documentary Film. She has worked with the production company Virtual Contents in the series Atlánticas (2019), broadcast openly on RTVE and on the Orange TV platform. At the same time, she produces and manages site-specific projects, audiovisual installations and pieces such as Bit (2019) for the Venice Biennale, or La Máquina de (re)velar (2020), selected for the Film Curation course at Elías Querejeta Cinema School, San Sebastian. Together with the Video Art and Digital Creation Programme, developed with the Bilbao Fine Arts Museum and the BBVA Foundation, she has developed the latest video installation by Víctor Erice, Piedra y Cielo (2020).
She directs the Arte Como Educación Artistic Residencies program from the Soa Arte Contemporáneo gallery and together with the ACE collective. After several editions held in South America (Chile, Argentina and Uruguay), for the first time she will work in Spain for the design of the La Cañada Real Film School, in parallel to the production of the feature film Ciudad Sin Sueño.
