Jeson Gnanapnegasam
- Sound Department
- Editorial Department
Jeson Gnanapnegasam is an award-winning sound designer and a veteran of the Malaysian film industry. With a prolific career spanning over 80 feature films, he has established himself as one of the most technically accomplished and sought-after audio post-production specialists in the region. He is the founder and principal engineer of Soundniverse Studio, a premier facility dedicated to the art of cinematic sound.
Known for his meticulous attention to auditory world-building, Jeson has been a pivotal creative force behind several landmark Malaysian productions. His portfolio includes the highly acclaimed Tamil-language thriller Poochandi, the intense soundscapes of Mirugasirisham, and the internationally recognized horror film Don't Look at the Demon.
Jeson’s approach at Soundniverse Studio merges technical precision with a deep understanding of psycho-acoustics, handling everything from intricate Foley artistry to complex theatrical mixing. Recognized as a leader in the next generation of Malaysian sound designers, his work continues to set a benchmark for excellence in Southeast Asian cinema, ensuring that every project resonates with world-class sonic clarity and emotional impact.
Known for his meticulous attention to auditory world-building, Jeson has been a pivotal creative force behind several landmark Malaysian productions. His portfolio includes the highly acclaimed Tamil-language thriller Poochandi, the intense soundscapes of Mirugasirisham, and the internationally recognized horror film Don't Look at the Demon.
Jeson’s approach at Soundniverse Studio merges technical precision with a deep understanding of psycho-acoustics, handling everything from intricate Foley artistry to complex theatrical mixing. Recognized as a leader in the next generation of Malaysian sound designers, his work continues to set a benchmark for excellence in Southeast Asian cinema, ensuring that every project resonates with world-class sonic clarity and emotional impact.
