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IMDbPro

Lee Morin

  • Legal
  • Additional Crew
IMDbProStarmeterSee rank
Georgia Entertainment Gala
Attorney Lee Morin founded Morin Legal in 2013 and has since grown the Firm into a preeminent small business and entertainment boutique firm. Morin Legal has routinely served independent small business owners in the creative and creative-adjacent sectors helping them to achieve their dreams of freedom and independence.

Attorney Morin is uniquely talented in copyright law, trademark law, small business law, corporations, and contracts, having taught complex subjects to non-lawyer pupils as an adjunct professor for her alma mater, Georgia State University College of Law. When she is not representing copyright holders, trademark owners, or small businesses or financiers, she aids producers and production companies in content creation and taps into affiliated contacts at premier talent agencies, consulting and production companies to develop, package, and pitch shows for streaming, broadcast, or theatrical release.

In 2023, Attorney Morin became a volunteer instructor for Brandywine Cares, Career $hift Small Business Bootcamp, where she teaches small business owners the legal basics for business organization. Attorney Morin is also an accomplished writer, having penned articles for the American Bar Association and other publications. For 10 years, Morin Legal published a newsletter read by entertainment professionals, called Good Tidings.
BornNovember 23, 1976
  • More at IMDbPro
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    • Agent info
    • Resume
BornNovember 23, 1976
IMDbProStarmeterSee rank
  • View contact info at IMDbPro
  • Photos13

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    Known for

    Division (2022)
    Division
    8.1
    • Legal
    • 2022
    The Inventor: The Story of Garrett Morgan (2022)
    The Inventor: The Story of Garrett Morgan
    9.8
    Short
    • Legal
    • 2022
    Liss Pereira in Liss Pereira: Reteniendo Liquidos (2019)
    Liss Pereira: Reteniendo Liquidos
    6.3
    TV Special
    • Legal
    • 2019
    Six LA Love Stories (2016)
    Six LA Love Stories
    5.8
    • Legal
    • 2016

    Credits

    IMDbPro

    Legal



    • God with Us
      • legal
      • Completed
      • 2026
    • Otra
      • legal
      • Post-production
    • Othermor
      • legal
      • Pre-production



    • The Legend of Gilbert Flay (2025)
      The Legend of Gilbert Flay
      3.3
      • legal
      • 2025
    • Bed of Nails (2024)
      Bed of Nails
      4.3
      • legal
      • 2024
    • Division (2022)
      Division
      8.1
      • legal
      • 2022
    • The Inventor: The Story of Garrett Morgan (2022)
      The Inventor: The Story of Garrett Morgan
      9.8
      Short
      • legal
      • 2022
    • Red Necks (2020)
      Red Necks
      8.1
      Short
      • legal
      • 2020
    • Liss Pereira in Liss Pereira: Reteniendo Liquidos (2019)
      Liss Pereira: Reteniendo Liquidos
      6.3
      TV Special
      • legal
      • 2019
    • Ricardo Quevedo in Ricardo Quevedo: Los Amargados Somos Mas (2019)
      Ricardo Quevedo: Los Amargados Somos Mas
      7.2
      TV Special
      • legal
      • 2019
    • Hannah Fierman, Jonathan Horne, and Courtney Lakin in Evil Little Things (2019)
      Evil Little Things
      3.6
      • legal services
      • 2019
    • Six LA Love Stories (2016)
      Six LA Love Stories
      5.8
      • legal
      • 2016
    • Rebel Scum (2010)
      Rebel Scum
      6.3
      • legal
      • 2010

    • In-development projects at IMDbPro

    Personal details

    • Born
      • November 23, 1976
      • The Netherlands

    Self-verified on IMDbPro

    • Gender / Gender identity
      • Female
    • Pronouns
      • she/her

    Did you know

    • Trivia
      Lee studied abroad twice in England. Once at the University of Oxford, another at the University of London.
    • Quotes
      I think we need to redefine the role of Entertainment. Entertainment can play a superficial role. When I was in law school, I used it to escape from complex legal theory, so I watched minimally complex films with lots of enchanting special effects. Today, I use Entertainment more as a healing device, when I connect with characters, stories, and voices that help me process or articulate my complex emotions and circumstances. When I was a teenager, arguably the first most challenging time of life with the least emotional intelligence to handle it, I saw Entertainment as a way of helping me shape who I was, and found a collective identity in the content I consumed. In a world where traumatic experience now seems the norm, we need Entertainment more than ever, to connect, to heal, and most of all, to find the love and compassion for each other.

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