Carley Armstrong
- Script and Continuity Department
- Producer
Carley Armstrong is a highly skilled Script Supervisor with over 15 years of experience working across high-end television and major motion pictures. With a sharp command of continuity, technical precision, and editorial structure, she brings a studio-level discipline to set, ensuring that every frame aligns seamlessly with the director's vision and the demands of post-production.
Fluent in the complexities of large-scale, multi-unit filmmaking, Carley's work encompasses VFX-heavy sequences, action and stunt choreography, extended one-shot episodes, multi-camera setups, multi-episodic continuity, splinter and 2nd unit continuity, improvisational driven dialogue, show-runner collaboration, iPhone and alternative format shoots, working with splinter unit script supervisors, assistants and trainees and supporting the director in every capacity, both personally and professionally. She is adept at managing evolving scripts in fast-paced environments with a proven track record of on set script amendments, whilst maintaining consistency across principal and additional photography, and protecting the integrity of the show throughout production.
Her technical workflow includes digital script supervision using ScriptE, Peter Skarrat and Final Draft, delivering precise lined scripts, facing pages, and continuity logs tailored to the specific editorial requirements of the production. With a keen eye for eye-lines, geography, blocking, frame composition, lens sizing, workflows and timing, she is a trusted bridge between camera, editorial, and production, particularly on projects requiring complex coverage, international coordination, or high stakes scheduling and is the go to script supervisor for advanced technical script supervision.
Carley brings a detailed, system-oriented approach to set, ensuring editorial continuity, precise camera matching, and real-time problem-solving, enhanced by her experience in filmmaking, supporting all departments with complex shooting days. She is adept at cross-departmental coordination, working seamlessly with directors, producers, stunts, VFX, ADs, and editorial - from prep through to post. Known for her accuracy, adaptability, and calm nature under pressure, she thrives in technically demanding environments, where precision and clear communication are critical.
A BAFTA Connect member and NFTS graduate, Carley holds a First-Class BA and MA in Film. Beyond supervising, she has produced award-winning shorts and features, founded several creative ventures, and actively champions Northern voices and underrepresented talent in the UK screen sector. She has produced multi-award winning BIFA and BAFTA qualifying short films and low budget features.
Technically in Script Supervision she is represented by world leading Exec Management, and creatively in Script Editing by Madeleine Cotter at WGM Atlantic Talent and Literary agent.
Fluent in the complexities of large-scale, multi-unit filmmaking, Carley's work encompasses VFX-heavy sequences, action and stunt choreography, extended one-shot episodes, multi-camera setups, multi-episodic continuity, splinter and 2nd unit continuity, improvisational driven dialogue, show-runner collaboration, iPhone and alternative format shoots, working with splinter unit script supervisors, assistants and trainees and supporting the director in every capacity, both personally and professionally. She is adept at managing evolving scripts in fast-paced environments with a proven track record of on set script amendments, whilst maintaining consistency across principal and additional photography, and protecting the integrity of the show throughout production.
Her technical workflow includes digital script supervision using ScriptE, Peter Skarrat and Final Draft, delivering precise lined scripts, facing pages, and continuity logs tailored to the specific editorial requirements of the production. With a keen eye for eye-lines, geography, blocking, frame composition, lens sizing, workflows and timing, she is a trusted bridge between camera, editorial, and production, particularly on projects requiring complex coverage, international coordination, or high stakes scheduling and is the go to script supervisor for advanced technical script supervision.
Carley brings a detailed, system-oriented approach to set, ensuring editorial continuity, precise camera matching, and real-time problem-solving, enhanced by her experience in filmmaking, supporting all departments with complex shooting days. She is adept at cross-departmental coordination, working seamlessly with directors, producers, stunts, VFX, ADs, and editorial - from prep through to post. Known for her accuracy, adaptability, and calm nature under pressure, she thrives in technically demanding environments, where precision and clear communication are critical.
A BAFTA Connect member and NFTS graduate, Carley holds a First-Class BA and MA in Film. Beyond supervising, she has produced award-winning shorts and features, founded several creative ventures, and actively champions Northern voices and underrepresented talent in the UK screen sector. She has produced multi-award winning BIFA and BAFTA qualifying short films and low budget features.
Technically in Script Supervision she is represented by world leading Exec Management, and creatively in Script Editing by Madeleine Cotter at WGM Atlantic Talent and Literary agent.
