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Biography

Daniel L. Bamberg

Overview

  • Height
    6′ 1″ (1.85 m)

Biography

  • Daniel Lawrence Bamberg was born in Norfolk, Virginia. As a child he was a dreamer and a fibber which would eventually lead him into his craft of creative story telling. After several years of moving around due to his father's Naval career, the family settled in a small Alabama town. Following his parents divorce, Daniel began spending countless hours watching film until it became an obsession. This would lead to his mere spectating becoming an education.

    He spent most of his early adult life doing guerrilla film projects to learn his craft while working as a journalist among other jobs. After leaving journalism he decided to pursue film making as a career, his life-long dream.

    While he places enormous importance in the vision and style of a motion picture, he carries the values of film makers like Clint Eastwood, to maintain an efficient production that can tell the story in the most effective way within the confines of whatever budget the film possesses. As a writer his style is unique, often balancing absurdity and gifted word-play with a messaging that never attempts to overshadow the audience's ability to be entertained.
    - IMDb mini biography by: Jeremy Crowson

Family

  • Spouse
      Stefanie Ann Bamberg(August 31, 2013 - ?)

Trademarks

  • Daniel's screenplays often utilize wordplay and absurdity. One of the most often recalls from script to script is the use of a multitude of negatives within a single sentence.
  • In his stories, there are typically always references to Christianity and Batman.
  • His films utilize one or two split diopter shots which are typically used to give the audience clues as to where the story is going.
  • His films all utilize a dutch-shift where the camera moves from static to a dutch angle, or move from a single side dutch angle to the opposite side dutch angle.
  • Framed two-shots are used often in his films during intense or important exchanges between two characters in order to allow the scene to rely more on the performance and less on the edit.

Quotes

  • Artists should not be in the practice of answering philosophical, spiritual, or political questions within their work. Artists should create the questions and then question the answers.

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